Sunday, May 29, 2016

2016 the Best (and Worst) of the Rest

The Forest- Game of Thrones alum Natalie Dormer stars as identical twins in this psychological horror/thriller.  When her sister, Jess, mysteriously disappears in a Japanese "suicide" forest at the base of Mt. Fuji, Sarah travels to the forest as she "feels" her sister is still alive.  But, this forest does strange things to a person's psyche.  Things that make it difficult for a victim to determine what is real and what isn't.  The Forest does a decent job of blending reality and horrific fantasy.  There are a few good jump scares.  Overall, a good, but, not great horror movie.
*** stars


The Boy- This latest entry in the "creepy doll" horror subgenre stars The Walking Dead alum, Lauren Cohan, as an American trying to escape a sordid past by taking a nanny position with an elderly British couple to watch over their little boy, Brahms.  Brahms just happens to be a child-sized porcelain doll the couple treats as human.  I give the minds behind the film credit.  The story behind Brahms is a bit of a curveball.  But, that same curveball also makes a few scenes a little nonsensical.  Still, there is suspense to be had even if the film isn't what you would call terrifying.
**3/4 stars


Pride and Prejudice and Zombies-
Speaking as someone who has never read Jane Austen's classic, she might be spinning in her grave over this one.  Her story of social class and manners in 19th century England is fused with zombie lore for one of the craziest mashups of the year.  The second oldest of five sisters from a somewhat well-to-do family develops a very contentious love/hate relationship with a higher born gentleman.  Oh, and they just happen to be expert samurai-type warriors in the middle of a zombie apocalypse.  It's as silly as it sounds and also a lot of fun if you approach it with the right mindset.  Skull-cracking and more than one head exploding from gunshot is the flavor of day.  Throw in a little 19th century English romance and you have something for the whole family.
***1/4 stars


Zoolander 2- All you really need to know about this sequel to the 2001 farce is that it's completely and utterly ridiculous.  Even more so than the first.  Plot is secondary to lunacy, but, if you're interested, the world's most beautiful people are being assassinated with male supermodel, Derek Zoolander's, signature "Blue Steel" look on their faces.  Fashion Interpol recruits Zoolander and his friend-once-chief-rival, Hansel, to investigate.  Yes, you read that correctly.  While funny, I think Ben Stiller may have milked everything he can from this silly franchise.  Will you like it?  Depends on whether you liked the first one.  Stiller, Owen Wilson, Penelope Cruz, Kristen Wiig, and Will Ferrell star.  Benedict Cumberbatch has one of the creepiest and funniest roles in the film as the gender ambiguous model, All. 
**3/4 stars


The Witch- By the amount of critical acclaim this film has received, you might think it was one of the best horror movies ever made.  This story, based on New England folklore, tells the story of a deeply religious Puritan family in  the1600s exiled for differences in beliefs from the rest of their community.  While taking up residence at the edge of a large forest, strange things begin happening to the family.  Something evil is lurking within the forest. Or, could it be a little closer to home than anyone in this doomed family believes?  While there is some creepy innuendo and a few disturbing images, The Witch is far from the terrifying horror movie it is billed as.  The Witch is a bit of a slog even at just over 90 minutes and I found it difficult to give my full attention the entire time.   It's not horrible, but, it's not an edge-of-your-seat nail biter either.
**3/4 stars


The Other Side of the Door- There has been a plethora of horror movies to usher in 2016.  As a horror fan, I couldn't be happier about that.  Ah, if only the horror that's been offered thus far was notable.  So far, it's been a fairly mediocre ensemble.  The Other Side of the Door, however, is one the better ones.  It's a story that highlights the dangers of not being able to let go.  When her young son dies in a tragic car accident, a grief-stricken mother is given one last chance to communicate with him from beyond with the caveat to not open a temple door separating the land of the living from that of the dead.  Well, you know we wouldn't have a movie if she leaves the door closed, so, we'll just leave it at that.  You can predict much of the plot as it's a retread of what you've seen in some other horror movies in the genre.  But, predictability still doesn't mean it's not done well. It does score a few blips on the creep scale.  Sarah Wayne Callies and Jeremy Sisto star.
*** stars


10 Cloverfield Lane- Well you had to be somewhat intrigued by the title alone if you saw or were a fan of the 2008 film.  And the powers that be were very cagey about the footage that was released.  You didn't really know what it was about except three people locked in a few rooms.  There were hints of a monster being involved.  Was it the creature from the first film or something different?  No one knew.  I won't give it away here except to say 10 Cloverfield Lane isn't necessarily a sequel.  There is unexplained phenomena here.  But, it's as much psychological thriller as it is horror.  And the former tells a very tight story of a young woman "rescued" by a paranoid survivalist who is protecting her from "apocalypse" occurring outside his homemade bunker.  Is everything happening outside what he describes?  Maybe, maybe not.  But, the danger may become very real on the inside.
Mary Elizabeth Winstead and John Goodman star.
***1/4 stars


The Boss- Melissa McCarthy stars as wealthy, ambitious, and more than a little obnoxious business mogul, Michelle Darnell.  Busted for insider trading and losing everything in the process, she starts the long road back after her release with the help of her beleaguered former assistant (Kristen Bell).   This one is as absurd as most of McCarthy's other comedies.  It's ridiculous and more than a little mean-spirited at times which has drawn the ire of many who have reviewed it.  But, guess what?  It's a farce.  So, while McCarthy clotheslining 12-year old girls might not be to some people's comedic tastes, I found many segments of the film to be hilarious.  Written and produced by both McCarthy and her husband, Ben Falcone (who also makes a cameo), this isn't McCarthy's best comedy, but, far from her worst.  In other words, disengage your brain and enjoy the shenanigans.  Peter Dinklage co-stars.
***1/2 stars


Keanu- Comic duo Keegan Michael Key and Jordan Peele star as two hopelessly straight laced cousins who must find their inner "gangsta" to rescue a stolen kitten named Keanu.  Their misadventures inadvertently start a gang war where the hapless pair have to take bloody action.  There was a fear that the sketch comedy duo had made a movie of comedy shorts that would have best been left as skits on a half hour cable show as is the case with many movies starring comedians who have become popular in that particular medium.  But, I have to say, Key and Peele kept the laughs coming fast and furious.  A ridiculous movie with a ridiculous premise that works on just about every level imaginable.
***3/4 stars


Green Room- A down and out punk rock band gets a gig they never bargained for.  Performing at a small Neo-Nazi club in the backwoods of Oregon, the group mistakenly witnesses a murder.  Trapped in the small band area backstage, the small group must survive the murderers operating under the authority of the sadistic club owner (Patrick Stewart).  It's a movie that has a slow, nonsensical start which amps up nicely in the second act.  But, then the ending is a bit of a head scratcher.  And the club owner's plot to frame the band for the original murder is needlessly convoluted.  It's a mixed bag on this one.  See it once if you have nothing better to watch.  Anton Yelchin and Imogene Poots co-star.
**3/4 stars



Zootopia- A non-Pixar produced animated feature from Disney, Zootopia is actually better than most features that studio has produced in several years.  In a fantasyland where animals, both predators and prey, have developed a modern society where they live in harmony, feisty bunny, Judy Hopps, strives to do some good in the world at an early age when she vows to be the first of her kind to graduate the police academy.  Making good on her dream, but, not taken seriously by the top brass, Judy becomes embroiled in a mystery where random mammals have gone missing.  Enlisting the aid of reluctant fox con artist, Nick, Judy finds this mystery might actually be a conspiracy that's greater than any Zootopia has ever known.  Funny and beautifully animated, the film has a more complex story than many animated features these days tackling the prickly subject of race relations and the far reaching consequences of bigotry.  It's an overall triumph for Disney's non-Pixar animated studio.  Ginnifer Goodwin, Jason Bateman, Idris Elba, and J.K. Simmons lend their voice talents among others.
**** stars


The Angry Birds Movie- So, this is what the world has come to.  Having tapped into the video game genre with varying degrees of success, Hollywood has now drawn creative inspiration from...phone apps?  The highly popular and successful Angry Birds app has now received the movie treatment in their own animated feature.  In a land of flightless happy birds, Red, Chuck, and Bomb are outsiders who don't quite fit in.  Which makes them the perfect saviors when a mysterious group of green piggies invade the land for their own nefarious reasons.  Angry Birds is cute and very funny at certain moments.  It's a better movie than one based on an app has a right to be.  But, that is its weakness also.  The premise is a little thin for even a 90 minute feature.  However, it is fun overall and most should have a good time with it if they don't take it too seriously.  Jason Sudeikis, Josh Gad, Danny McBride, Maya Rudolph, Peter Dinklage, and Bill Hader provide the voice talent. 
***1/4 stars



Ride Along 2- Ride Along 2 is what happens when a moderately funny buddy cop movie makes more money than it has any right to.  Soon-to-be cop brothers-in-law, James (Ice Cube) and Ben (Kevin Hart), travel to Miami to track down a dangerous crimelord (Benjamin Bratt).  This is a demonstration of the law of diminishing returns.  As I mentioned, the first Ride Along was moderately funny at best.  The sequel has pretty much recycled the same jokes.  Cube is more ornery.  Hart is more of a buffoon.  That doesn't make this movie any funnier.  I think there was only one scene near the end that made me genuinely smile.  They really should have stopped at the first.  But, rest assured if this makes enough money we'll be in store for Ride Along 3.  The horrors.  Olivia Munn and Ken Jeong co-star.
**1/2 stars


Fifty Shades of Black- Just what everyone was looking for.  A parody of Fifty Shades of Grey.  And, Marlon Wayans-style no less.  It's everything you'd expect from a movie helmed by this particular member of the Wayans family.  It's sexually and racially charged to the gills.  Now, I'm not always the biggest fan of Marlon's comedy, but, he usually makes me chuckle a time or two when I do watch him.  Fifty Shades barely made me crack a smile.  I think there was one moment I found laugh out loud funny.  Marlon's solo efforts with the Haunted House series are uneven, but. they seem like masterpieces compared to this.  And, for the life of me, I don't know why this man is so fascinated with his butt.
**1/4 stars


How to Be Single- A rom-com that follows four single women with interconnecting stories in New York.  With most looking for love in all the wrong places, what struck me is how unlikeable and uninteresting they really are.  For example, one young woman (Dakota Johnson) "takes a break" from her college boyfriend to discover if they really do belong together.  After an undisclosed amount of time, she announces to her former paramour that the experiment is over and she's ready to commit to him...again.  Thankfully, he's moved on.  Seriously, I felt not one twinge of sympathy for her.  I wanted to jump through my TV set and high five this dude.  Aside from a few humorous moments from Rebel Wilson as the unabashed single party girl, this film has little to offer.  If this was meant to be a feminist slant on the single life, it fails miserably.  Alison Brie and Leslie Mann co-star.
** stars


Jane Got a Gun-
Natalie Portman stars as a woman in the Old West who must enlist the aid of an ex-lover to protect her current husband from a vicious gang who wants him dead.  I'm not the biggest fan of Westerns, but, as far as those movies go, this is a fairly solid outing that has a couple of unexpected twists to boot.  Joel Edgerton and Ewan McGregor co-star.
*** stars


Triple 9- An all-star cast leads this action thriller following a team of corrupt cops doing the bidding of a Russian mob.  Meanwhile a clever detective and his team on hot on their trail.  Triple 9 (police code for "officer down") is a bendy tale that leaves no one unscathed.  I just wish the ending was better.  It leaves you with the feeling of "Is that it?"  It's the reason I downgrade the film a quarter of a star.  Norman Reedus, Aaron Paul, Anthony Mackie, Kate Winslet, Gal Gadot, Casey Affleck, Woody Harrelson, and Chiwetel Ejiofor star.
***1/4 stars


Gods of Egypt- Let's just say Gods of Egypt's closest equivalent is the 1980's version of Clash of the Titans.  That's not a good thing.  How many things are wrong here?  Cheesy special effects, bad acting, and mortals/gods that don't look like Egyptians.  How did anyone involved with this film think it was a good idea?  I will say that I did get a bit of a kick out of how bad it was.  So it gets some "good bad" points.  The plot, if anyone cares, follows a clever mortal enlisting the aid of the deposed Egyptian god, Horus, to rescue his love from the Underworld and save Egypt from the evil god, Set.  Silliness of unheard of levels.  Nikolaj Coster-Waldau and Gerard Butler star.
** stars



The 5th Wave- Can I just say to Hollywood enough of the YA-adapted novels?  You're not going to repeat The Hunger Games.  And while this film isn't terrible, it offers little excitement and rudimentary special effects.  An alien invasion attacks the Earth in waves driving humanity back to almost a new Stone Age.  A young girl tries find her brother and survive in this apocalyptic new world.  As much as I like Chloe Grace Moretz as an actress, she can't quite make this film interesting enough to recommend.  Liev Schreiber and Ron Livingston co-star.
**3/4 stars



The Conjuring 2- I will be the first to say that I thought the first Conjuring was a tad overrated.  Not that it was bad by any means.  It just wasn't the scarefest it was touted to be.  That said, Conjuring 2 improves upon the first and doubles down on the creep factor.  Depicting another real life paranormal case in the career of husband/wife duo, Ed and Lorraine Warren, Conjuring 2 takes you to England where the investigators try to assist a family living in an Amityville-like house with a particularly nasty demonic presence.  As much as I enjoyed director, James Wan's, tale this time around, the other satisfying factor in the film is the chemistry shared between the two leads.  They're good onscreen together.  Patrick Wilson and Vera Farmiga star.
***1/2 stars



The Do-Over- Adam Sandler and David Spade star in this comedic action-adventure of two down-on-their-luck high school acquaintances who re-connect at their 25-year high school reunion.  Deciding that it would be for the best to just start their lives over (well, one decides for both of them), they fake their deaths and assume the identities of two newly deceased individuals.  Little do they know their new identities come with some unexpected baggage.  It's a preposterous premise.  It's an Adam Sandler movie.  What do you expect?  It's sexist and gross at times.  It's an Adam Sandler movie.  What do you expect?  It's not a great movie, but, it did draw me in to a degree if for no other reason than to see where this was leading.  It's not Sandler's best.  That will forever remain "Happy Gilmore."  But, it's not his worst either.  It's watchable.  As a made for Netflix feature, you can stream it anytime.
*** stars



Finding Dory- Disney/Pixar's long awaited follow up to the smash hit "Finding Nemo" finds the forgetful Blue Tang on a quest to find her own parents she was separated from some time ago.  It's as vibrant and delightful of a film as the first.  If you loved Nemo, there's no reason you shouldn't love Dory.  It should be yet another triumph for Disney at the box office.  The Mouse is printing money again.  Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olsen, and Ty Burrell lend their voice talents to the film.
***3/4 stars



London Has Fallen- Gerard Butler returns as super Secret Service Agent, Mike Bannon, in this sequel to 2013's  "Olympus Has Fallen."  Bannon must protect the President again at all costs against a terrorist plot in London designed to execute all prominent Western leaders.  There's a lot of action, a lot of neck breaking, a lot of stabbing, a lot of Butler being an unstoppable terrorist killing machine.  Oh, and throw in a good amount of "America, F---- Yeah!" sentiment and you pretty much have the measure of this film.  Olympus was better.  This one is palatable.  Morgan Freeman and Aaron Eckhart co-star.
**3/4 stars



Hail, Caesar!- In this latest Cohen Brothers extravaganza, a beleaguered 1950s movie studio "fixer" charged with finding kidnapped movie star, Baird Whitlock.  Well, that among about a dozen other fires involving the studio's stars needing his attention.  Like most Cohen features, Caesar is not uproariously funny, but, it is quirky.  It muddles along at times.  However, it throws in just enough goofiness to be entertaining.  The all star cast includes Josh Brolin, George Clooney, Scarlett Johannsson, Jonah Hill, Tilda Swinton, and Channing Tatum.
*** stars


The Brothers Grimsby- Sacha Baron Cohen returns as the long lost soccer hooligan brother of a British spy.  Needless to say, Cohen's character causes all manners of difficulty for his brother.  It's a Cohen movie, so, if you're familiar with them there is no lack of gross out humor most of which involve certain body parts.  I like Cohen for the most part, but, some of the imagery here even I found to be a little too much.  He's likely never going to equal the brilliance of Borat again, but, I have liked his movies since then even if many haven't.  This one was a bit of a miss for me.  I laughed at some of it, but, mostly found myself shaking my head in almost disgust thinking, "Yeah, he just went there."  Mark Strong, Penelope Cruz, Isla Fisher, and Rebel Wilson co-star.
**3/4 stars



The Purge:  Election Year- The third installment of James DeMonaco's horror/thriller series has a much more social and political bent than ever before.  This time, on the U.S.'s annual purge night, a Presidential candidate who wants to see an end to this night of death and destruction permanently is targeted by the powerful "Founding Fathers" who control the government.  She must survive this lawless night with the aid of her one loyal security chief and a few local D.C. citizens.  This series has evolved a great deal since the first film in the sense of shining a light on economic, religious, and social issues that can be applied to the current issues of the day.  Although the ending of the film could leave some wiggle room for another possible sequel, the story could logically conclude here.  I hope that's what people in charge believe.  But, again, it'll likely depend on how much money this installment ultimately takes in.  Frank Grillo, Elizabeth Mitchell, and Mykelti Williamson star.
***1/2 stars



Whiskey Tango Foxtrot- Based on a true story, Tina Fey stars as a low level TV journalist who is offered a short term assignment as a war correspondent in Afghanistan.  What was supposed to be only a month or two-long assignment turns into a years' long assignment as she befriends and, in some cases, annoys the politicians, local citizens, and U.S. Marine Commander in her travels.  Fey does get a couple of comedic zingers in here and it was somewhat fascinating to see how a vast number of journalists in the area party in their down time, but, as a whole the film just doesn't grab you in any significant way.  I had a difficult time focusing through its entirety.  Fey is better than the material she had to work with here.  Margot Robbie, Martin Freeman, and Billy Bob Thornton co-star.
**1/2 stars


Hush- This psychological thriller is the tale of a deaf, mute young author who is ruthlessly stalked by a masked killer around and in her small, remote cottage.  This small-budget film from Blumhouse Productions was released directly to Netflix.  It gets an A for producing its fair share of white knuckle thrills.  Like the 2008 film, "The Strangers", it's so much more terrifying that there really isn't a reason for the killer's actions.  His victims have just unfortunately crossed his path.  It's  simple, bare bones horror.   Not the scariest thing you've probably seen, but, well made with good pacing from director, Mike Flanagan.
***1/2 stars



Swiss Army Man- Here's a headscratcher of a movie.  A suicidal, depressed young man strikes up an unusual friendship with a drowned corpse that washes ashore on an isolated beach.  The corpse, despite some unreal superhuman flatulence, turns out to be a really nice guy who helps his new companion work through his issues.  No, I'm not making this up.  That's the setup for director, DANIELS (Daniel Scheinert and Daniel Kwan), oddball dramedy.  It's not easy to categorize this one.  It's a little bit Cast Away, a little bit Weekend at Bernie's, and all whacked out of its gourd.  What's mostly a whimsical adventure takes a sharp left turn for the dark and sad ending with one of the most ridiculous scenes in the history of film.  I'll...give it a recommendation if for no other reason than this is a film you have to experience just once.  Love it or hate it, you will agree you've never seen anything like it.  Paul Dano, Daniel Radcliffe, and Mary Elizabeth Winstead star.
*** stars



Mike and Dave Need Wedding Dates- Two immature brothers are given an order by their fed up parents.  Bring dates to their sister's impending wedding in Hawaii so they're less likely to cause mischief.  For the sake of their sister, they agree, using Craig's List as their resource.  Their search goes viral and they attract the attention of two schemers who see the opportunity for a free "vacay."  Unfortunately, these "nice girls" are every bit the arrested adolescents  the brothers are.  This is normally the kind of raucous fratboy-type comedy I dismiss.  But, I have to say the characters grew on me more than I thought they would and I laughed at its absurdity for a healthy portion of its runtime.  I'm as surprised as anyone.  Zac Efron, Adam Devine, Aubrey Plaza, and Anna Kendrick star.
***1/4 stars



Term Life- In this crime thriller, a thief (Vince Vaughn) who plans heists and sells those plans to the highest bidder (?).  When plans for his latest heist go awry thanks to corrupt cops, the thief has to go on the run with his estranged daughter (Hailee Steinfeld) when the collection of thugs threaten her, too.  This film tried to be a lot of things, a crime thriller, a father-daughter comedy, an action adventure movie.  It did none of these things well.  It didn't do them particularly poorly either.  Everyone's pretty much going through the motions here and I'm not a particular fan of Vaughn's in the first place. On a side note, could he possibly have a worse hairdo?   Bill Paxton, Terrence Howard, and Jon Favreau co-star.
**1/2 stars



The Family Fang- Actor Jason Bateman's second directorial effort tells the story of the Fangs, a family of performance artists who stage shocking events in public.  Nothing was too taboo for their "art" which ranged from staging a fake shooting in a bank to the young siblings kissing during a performance of "Romeo and Juliet."  However, the siblings now bear the scars of these antics as adults.  The daughter is a temperamental alcoholic film actress and the son is a depressed writer with a severe case of writer's block.  And their parents are still "performing."  When the parents disappear suddenly under what seems to be violent circumstances, the brother-sister duo are left to wonder are they really gone, or, is this just another "act."  The film is at times a darkly comic look into family dysfunction.  It also dives into serious waters in commenting how childhood scars can have debilitating effects into adulthood.  It makes for a movie that's 100% off-kilter.  But, at least, it's an entertaining type of off-kilter.  Jason Bateman, Nicole Kidman, Christopher Walken, and Kathryn Hahn star.
*** stars


The Divergent Series:  Allegiant- The YA saga depicting the strife in post-apocalyptic Chicago continues as series heroine, Tris Prior, fights for the rights of all citizens in the city.  While Chicago is gearing up for civil war between two factions of the victorious rebels from the last film, Tris discovers there's an even greater "big brother" threat on the horizon.  Divergent is now a series of diminishing returns.  While the first was much better than I thought it would be, each subsequent chapter has become less interesting.  And, the special effects here?  They look like they should be in a bad science fiction B movie.  You know what's worse?  We have at least one more movie in this series to go.  Shailene Woodley, Miles Teller, Ansel Elgort, Octavia Spencer, Jeff Daniels, and Naomi Watts star.
**1/4 stars



Kung Fu Panda 3- That lovable, but, bungling Kung-Fu master panda, Po, is back with Master Shifu and the Furious Five in the third installment of DreamWorks hit animated series.  This time Po discovers his biological father and a hidden city of pandas.  His jubilation is short lived as a vengeful spirit warrior returns to the mortal plane to wreak havoc.  Only by mastering the ancient and all-but-lost Panda art of chi will Po defeat this powerful warrior.  It's a cute movie just like the others in this series.  But, it just wasn't as funny to me this time around.  DreamWorks made a shrewd move releasing this film early in the year when studios don't release many of their finest they have in the can.  If this film had gone head-to-head with Zootopia or Finding Dory, I think it would have been crushed at the box office.  Featuring the voices of Jack Black, Angelina Jolie, Dustin Hoffman, J.K. Simmons, Jackie Chan, Lucy Liu, Seth Rogan, Bryan Cranston, Kate Hudson, and David Cross.
***1/4 stars


Midnight Special-
Jeff Nichols' sci-fi, supernatural drama is one that leads the viewer on a long chase, but, not a particularly merry one.  Running from a religious cult and the FBI,   a father and his best friend are on the lam when they kidnap the father's son away from the cult.  But, this is no ordinary boy.  He has abilities that aren't human.  They have to bring the boy to an undisclosed location on a specific date in which a possible world-changing event will occur.  All predicted by the son, of course.  This film takes you down a road that spins you in circles that ultimately crash and burn into a WTH ending.  You can spend your time doing more productive things like, say, clipping your fingernails.  Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver, and Jaeden Lieberher star.
**1/2 stars



Lights Out- In this supernatural thriller, a young woman fights to defend her half-brother from their mother who has been a little unhinged ever since young woman was a girl.  Their mother is mystically connected to a malevolent entity who can only exist in darkness.  While there are a few plot points that don't always make a lot sense, there is no denying how chillingly creepy the film is.  It's not always necessary, but, I felt a little more gore may have ramped up the intensity.  I'm not talking about a complete bloodletting, but a few more mutilations would have been welcomed.  As it is, it's still the best horror movie I've seen so far this year.  You just might flinch at the darkness when it's all over.  Teresa Palmer and Maria Bello star.
***1/2 stars



Miracles From Heaven- Based on a true story, the film recalls the tale of a young girl dying of a terminal illness who is miraculously healed when she falls 30 thirty feet from a tree onto her head.  Informing her parents that she had an amazing out of body experience while unconscious, she becomes an inspiration to many in her small Texas town.  However, there will always be cynics who want to challenge her family's faith.  This is a total feel good movie.  You know.  Sad, inspirational, and ultimately, sappy and syrupy sweet.  And overlong.  It's a TV movie of the week stretched out to be a feature film.  There's nothing inherently wrong with the film, it's just not my cup of tea.  It goes down easy enough if you like this sort of faith-driven story.  Jennifer Garner and Queen Latifah star.
**3/4 stars


The Infiltrator- Bryan Cranston, Diane Kruger, Benjamin Bratt, and John Leguizamo star in this crime drama based on a true story from the 1980s.  U.S. Customs agents go deep undercover to take down the Pablo Escobar cartel.  It's well-acted by all involved and expertly conveys the sacrifice undercover agents must expose themselves to on the job, as well as, the dangers of getting too close emotionally to the target itself.
***3/4 stars



Batman v. Superman:  Dawn of Justice-Ultimate Edition- I felt compelled to add a second review of this film after watching the Ultimate Edition as it has 30 minutes that were cut from the theatrical version of the film.  So, the verdict.  Does the extra 30 minutes help?  Yes.  Does it make this movie a great one?  Still a no.  What the extra time does is flesh out some of the murkiness of Lex Luthor's plan.  That's a good thing.  But, that's about all it solves.  So, I guess how you view the Ultimate Edition comes down to how you felt about the theatrical version.  If you already loved it, this will do nothing except keep you moony-eyed.  If you weren't in love with it, your opinion will improve marginally.  If you hated it, there's probably very little the extra 30 will do for you.  Count me in the second group.  I raise my original rating by a quarter star.
***1/2 stars



The Secret Life of Pets- Universal, that studio that gave the moviegoing public those mischievous Minions, veers away from the little yellow guys in favor pets.  You name it.  The film has dogs, cats, birds, guinea pigs, and even a crazed bunny among others.  This little tale tells the story of a happy pooch named Max who absolutely loves his owner.  All is bliss in his life as he cuddles with his owner and hangs out with his other animal friends in their apartment building awaiting her return every evening.  That is, until she brings home a shelter dog, Duke, to be Max's new "brother."  Needless to say the turf war between the two leads to a crazy adventure involving the animal warden, psychotic alley cats, and a gang of abandoned pets led by a manic former magician's rabbit.  It has big laughs and gives you that "awwww" feeling without being too sappy about it.  I think this is the best animated feature of the year outside of Zootopia.  Louis C.K., Eric Stonestreet, Ellie Kemper, Lake Bell, and Kevin Hart are among the film's voice talents.
***3/4 stars



Eye in the Sky- This military thriller offers a bleak look into the art of modern warfare and the scars it leaves in its wake.  A joint American-British-Kenyan operation to eliminate several terrorist targets in Africa is wrought with legal and moral pitfalls when innocent casualties could become part of the equation from a drone strike.  Difficult decisions must be made.  Ground forces risk their lives selflessly.  The political and legal haggling does slow the pace of the film down a great deal, but, the film does a more than adequate job of depicting the psychological trauma of having your "finger on the trigger" when innocent lives are at stake.  The ending is a bit devastating.  Aaron Paul, Alan Rickman, and Helen Mirren star.
***stars


Criminal- What happens when you try to implant the brain wave patterns of a dead CIA agent in the mind of an emotionally stunted, hardened criminal?  That's the premise of this sci-fi action thriller.  Agent Bill Pope's memories are surgically implanted in psychotic criminal, Jericho Stewart in order for the CIA to complete Pope's last globally vital mission before he was killed.  But, Stewart still has remnants of his own personality and isn't as cooperative as the agency hopes he would be.  Throw in an industrialist-turned-anarchist megalomaniac and Russians who all want what's in his head and you've got a wild adventure.  It's a solid actioner that's fairly well-acted.  It's not award-winning, but, it's good entertainment.  I'm surprised this didn't perform a little better at the box office.  Kevin Costner, Ryan Reynolds, Gary Oldman, Tommy Lee Jones, and Gal Gadot star.
***1/4 stars



Hardcore Henry- Where do you start with this one?  This film offers a novel concept being shot like a first-person shooter video game.  But, the minds behind project forgot one very important item.  It's always useful to have a story behind your idea.  And, that's what Hardcore Henry is sorely lacking.  The plot, if you can call it that, involves a man named Henry who wakes up in a lab.  He's told he's married to the scientist who revives him and shortly realizes that he has new gnarly cybernetic parts.  He's then attacked by a team of mercenaries led by a telekinetic named Akan and proceeds to be pursued by him throughout the film's runtime.  Oh, and he's also mysteriously aided by a man named Jimmy who seemingly has the lives of three cats.  The action is fast-paced and constant.  And, more than a little dizzying given how it's shot.  Other than Henry kicking butt to Queen's "Don't Stop Me Now" near the end, there isn't much to latch onto here.
** stars


Batman:  The Killing Joke- An iconic comic story finally comes to life.  Well, animated life, at least.  This adaptation of one of the Dark Knight's most disturbing confrontations with his primary arch-nemesis has long been anticipated.  DC and Warner Brothers pulled out all the stops enlisting Kevin Conroy and Mark Hamill from the wildly popular Batman Animated Series to voice Batman and Joker.  So, you would think there's the potential all involved made something legendary.  Well, as far as the actual "Killing Joke" story itself, it's good, if not legendary.  All 30-40 minutes you get of it.  The first 30 minutes or so are devoted to a Barbara Gordon (aka Batgirl) story and her "relationship" with Batman (which does become physical at one point).  And, let me say, this sequence could have been accomplished in five minutes, 10 at the most.  Really, the first act will have you wondering "When does the Killing Joke start?"  We don't even see Joker until about 35 minutes into the approximately 80 minute feature.  You really don't even care what happens to Barbara later on as the character is a bit annoying.  There is also a friend of Barbara's that is such a gay stereotype, you wonder what were they thinking introducing this character.  As I said earlier, the actual Killing Joke part of the story is good, but, even that is brought down by the boring flashback sequences of Joker's possible origin.  And, let us put the Joker musical number in the film as far out of our memory as possible.  The other disappointing thing?  This movie has an R rating.  So, I'm expecting a little bit of graphic savagery here.  The Killing Joke is not a kid's story as the Joker defiles Barbara in the most heinous ways possible in the graphic novel.  This barely registers on the PG-13 scale.  Come on.  At least give us some foul language to justify that R rating.  All things considered, this was a bit of a miss for me Bat-fans.  One of the few DC animated features that didn't impress.
**3/4 stars

Meet the Blacks- Funnyman Mike Epps stars as a beleaguered husband and father who seizes the opportunity to steal money from a Chicago gangster and move his family to Beverly Hills.  But, the neighbors may not be so eager to embrace the Black family as they move into their new home on "Purge Night."  Yes, this film is a parody of The Purge series.  It's also chockfull of ethnic humor, racial stereotypes, and a generous use of the N-word, some of which made me chuckle a few times.  But, as funnymen go, Epps has never been on my list of favorites.  Meet the Blacks does nothing to improve that opinion.  It was film I was glad ended when it did.   Charlie Murphy co-stars.
**1/4 stars



The Bronze- What happens when an ex-teenage Olympian with unfulfilled potential becomes an adult?  She becomes an acerbic, foul-mouthed, and mean-spirited ex-Olympian with an Ohio-sized chip on her shoulder.  That's the premise of The Bronze, a dark comedy, featuring Melissa Rauch of Big Bang Theory fame as the unpleasant ex-gymnast.  Through circumstance and manipulation, she comes to mentor another young gymnast from her hometown with Olympic potential.  But, will she really be a mentor to the young girl, or, a saboteur  as the young upstart threatens to replace her in the hearts and minds of the townsfolk.  The sex scene between Rauch and her ex-lover, current nemesis is a ridiculous and hilarious array of acrobatic carnal escapades.  Sebastian Stan and Gary Cole co-star.
***1/2 stars

The Trust- Two bored Las Vegas cops decide to rob a drug dealer's safe in this crime thriller.  As meticulously as they plan the heist, they're still unable to account for all variables.  It's factor that just might get both of them killed.  I don't actually remember this one being released theatrically.  Since it's a Nicholas Cage movie, it might not have been.  That guy will star in anything these days.  But, this is a somewhat fun, harmless movie that has a bit of a twist at the end.  You could do worse with a rental.  Elijah Wood co-stars.
*** stars

I Am Wrath- A retired Special Ops soldier goes into vengeance overdrive when his wife is murdered in what seems to be a random gang shooting.  What he discovers is a conspiracy that involves the upper ranks of government.  It's a standard revenge flick with little nuance or excitement.  If you look up average in the dictionary, this movie will spring out at you.  Christopher Meloni and Rebecca DeMornay co-star.
**1/2 stars






Mother's Day- A large ensemble cast highlights this romantic comedy from Garry Marshall (his final director credit before his recent passing).  The cast tackles several storylines ranging from conservative parents accepting their daughters' lifestyles and mates, a divorced mother coming to terms with her ex's new, much younger wife, and a widower trying to come to terms with his beloved wife's death.  This is all fairly insipid storytelling that elicits few laughs.  Even fans of rom-coms might find this one tedious.  Jennifer Anniston, Julia Roberts, Kate Hudson, Jason Sudeikis, Britt Robertson, and Timothy Olyphant star along with several others.
** stars




Sausage Party- The ideas for this animated feature could only have come from Seth Rogen's, Evan Goldberg's, and Jonah Hill's minds after taking several bong hits.  Food and other supermarket items have a belief and hope that one day they will be taken to the "Great Beyond" by the human gods.  Little do they know what will happen to them when these "gods" get them back home behind closed doors.  After learning the awful truth of their true fate, some food begins to fight back led by a courageous wiener named "Frank."  Where do you begin?  The movie is a ridiculous raunchfest of suggestive toilet humor.  And, it's one of the funniest and most unique movies you'll see this year.  You haven't lived until you've seen an actual food orgy.  This one ain't for the kiddies.  It's got an R-rating for a reason.  Seth Rogen, Jonah Hill, Kristen Wiig, Salma Hayek, Bill Hader, Edward Norton are among the stars that voice this farce.
****stars



The Lobster- Where do I start with this one?  How do I start with this one?  Here goes.  In a dystopian time period, romantic attachments are a mandatory part of society.  If you are not in one, you are either hunted as a "loner" in the forest or, in the case of breakups, you are taken to a hotel to find a new compatible mate.  If you don't find one in 45 days, you are transformed into an animal of your choice.  You can have time added to search if you go out on daily raiding parties to hunt loners in the forest.  Let that sit and simmer for a moment.  That's the plight of David, our main character, whose wife has recently left him.  But, can he conform to the strict rules of this society or will he rebel?  And do the loners offer a viable alternative, or, are their rules just as strange and oppressive.  You know, this might have been a goofy enough premise that could work if approached with a little more madcap lunacy.  But, it's presented as an abstract absurdist comedy that's short on comedy.  I did find the first half of the film partially amusing by the sheer blandness the characters approach life with.  The second half quickly devolved into ideas that are so abstract that it's no longer entertaining.  What was the point here?  What is the greater point writers Yorgos Lanthimos and Efthimis Filippou are trying to convey about relationships in general?  If you figure it out, let me know.  Colin Farrell, Rachel Weisz, and John C. Reilly star.
*1/2 stars


The Nice Guys- Ryan Gosling and Russell Crowe star as a down-on-his-luck PI and an enforcer who become embroiled in a complicated 1970s mystery involving a fading porn star, a corrupt politician's daughter, and a scandalous movie several parties would kill for.  The plot for me was a little overly complicated and confusing at times.  But, the comedic chemistry between the two leads was enough to make me forget about that for the most part.  Who knew Russell Crowe could be funny.  Watching these two semi-bungle their way through this minefield of deception is the real treat of the film.  It also has a killer of a 70s soundtrack.  Keith David, Kim Basinger, and Matt Bomer co-star.
***1/4 stars


The Huntsman:  Winter's War- First of all, this pre/sequel to 2012's Snow White and the Huntsman is a follow up to what was already a mediocre film.  This film finds the hunky Huntsman from the last movie (Chris Hemsworth) in deadly conflict again with evil Queen Ravenna (Charlize Theron).  The vanquished queen is brought back to the land of the living by her powerful, but, brokenhearted and emotionally unstable sister, Freya (Emily Blunt).  It's up to Huntsman, Eric, and his motley crew of allies, including his fellow Huntsman and love of his life, Sara (Jessica Chastain) to stop both sisters once and for all.  Lifeless and, most of all, pointless, this didn't move me in the slightest.  It's not horrible.  But, there's no other word to describe it except "blah."  At least Kristin Stewart didn't reprise her role as Snow White in this one.  So, it has that going for it.
**1/2 stars


The Duel- In late 19th century Texas, a Ranger is tasked with an undercover mission to infiltrate a small community controlled by an enigmatic religious leader who may be responsible for the death of a prominent Mexican military officer's relative.  What I can say about The Duel is it has a nice setup.  It's intriguing...about 40+ minutes after its start.  It's really too bad.  If it didn't move so slowly I could give it a recommendation.  As it is, The Duel just doesn't quite hit the mark for me.  If the plot moved better, this would have been a solid outing.  Liam Hemsworth, Woody Harrelson, and Alice Braga star.
**3/4 stars


Jungle Book- Jon Favreau's live action adaptation of Rudyard Kipling's classic story is a marvel to behold.  If you enjoyed the Disney animated version of the story, there's more than enough here to give you that sense of nostalgia.  How can you not have a smile on your face when you hear Baloo the bear singing "Bare Necessities" or orangutan, King Louie, belt out "I Wanna Be Like You."  Even though this is live action for the most part, there is some special effects work here that is seamless and believable.  Well, as believable as talking animals can be.  This version is a bit darker in tone than the animated Disney version, so don't be shocked.  For the 10 people who probably know nothing about this story, an orphaned human boy is found by a panther who, in turn, hands him over to a wolfpack to be raised as one of their own.  However, an evil tiger who distrusts man in general wants to eliminate the boy before he becomes a man and a threat to all in the jungle.  Ben Kingsley, Scarlett Johansson, Idris Elba, Bill Murray, and Christopher Walken lend their voices to this feature.
***3/4 stars
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Hell or High Water- Two brothers go on a bank robbing crime spree to save the family farm from foreclosure.  A Texas Ranger close to retirement pursues the siblings on the way to an explosive confrontation where not all survive.  The film is a slow burn with some explosive bursts of action before it reaches its fateful confrontation.  It's well-acted by the three leads.  It gives you humor, sadness, satisfaction, and a myriad of other emotions.  And, the ending. Very simple, yet very ominous at the same time.  It leaves you to make your own conclusion as to what may come in the future.  It does drag slightly in spots, but, this is one in 2016 you should catch if you can.
***3/4 stars



The Disappointments Room- This psychological thriller follows a family trying to put the shattered pieces of their lives back together after a heartwrenching tragedy.  Moving into a large house in the country, the secrets of the house have a profound effect on the mother who is suffering the deepest trauma.  The marketing of this film would have you believe it's a supernatural horror movie.  To a degree it is, but, the final resolution will also leave a bit of a bad taste in your mouth as ultimately, they don't make sense as to why they exist at all.  Is the mother really being haunted by spirits in the house or is she just bonkers?  I guess that's the conclusion you need to come to on your own.  I was intrigued, but, I was hoping for a more satisfying endgame.  Kate Beckinsale stars.
*** stars


The Magnificent Seven- Director, Antoine Fuqua, kicks it Old West style in this reimagining of John Sturges's 1960 classic which itself was a reimagining of the Akira Kurosawa tale, Seven Samurai.  You know the story (at least you should).  A desperate western town, bullied and intimidated by a powerful third party (this time a wealthy landowner with dozens of hired guns), hires their own set of  rough and tumble gunslingers led by bounty hunter, Sam Chisolm, who might have some unknown ties to the landowner himself. The seven protectors train the peaceful townspeople how to fight for the inevitable final smackdown.  A movie like this can be a little bit of a hard sell. You already know what's coming.  Fuqua's "7" offers very little nuance on the original story other than the heroes are more racially diverse.  So, then the story becomes can the cast itself save the day?  And the answer is, "Yes, it can."  They interact well with each other.  They're believable (to a degree) and individually interesting even if the overall story is a retread.  From the gambler's snarky humor to the evil landowner who almost twirls his mustache, there was great chemistry on the set.  And, if you like old fashioned western Gun-Fu, you can't go wrong.  Denzel Washington, Chris Pratt, Vincent D'Onofrio, Ethan Hawke, Lee Byung-hun, Manuel Garcia-Rulfo, and Martin Sensmeier are the titular seven. 
***1/2 stars


Ouija:  Origin of Evil- Let me say that this subgenre of horror (evil through Ouija boards) has been lackluster in my opinion.  You have the ridiculous, but, entertaining '80s horror film Witchboard.  You also have the godawful 2014 Ouija which was a total waste of a movie.  And, then you have everything mediocre in-between.  I'm happy to say that you can mark Origin of Evil as one of the better horror movies not only in the genre, but also in the year 2016.  This story of a family of charlatans that comes to be haunted by an evil spirit summoned by a Ouija board has a creep factor of 10 despite its PG-13 rating.  Even though the story becomes a bit senseless near the end, it does what horror movies should do.  It wigs you the Hell out!
***1/2 stars


Boo!  A Madea Halloween- Tyler Perry's latest comedy featuring his most well-known character, finds Madea spending a harrowing night trying to babysit her nephew's rebelious teenage daughter on Halloween.  If you're a fan of Perry's Madea movies, this one likely won't disappoint.  It is funny and Perry does give his usual life lesson which I sometimes find a little preachy.  But, it's a solid enough effort.  However, at 103 minutes, the film is a little overlong. 
***1/4 stars



Fantastic Beasts and Where to Find Them- The next peek into J.K. Rowling's wizarding world takes place decades before Harry Potter was born.  This story's hero, Newt Scamander, comes to New York with a suitcase filled with magical creatures often misunderstood by the world.  While in New York, he becomes embroiled in a conflict where a dark wizard attempts to harness a dangerous power that would threaten both the magical and non-magical worlds.  Fantastic Beasts is visually impressive, but, the story falls just a bit flat for me.  For the life of me, I don't think I ever figured out why Newt, a British wizard, is actually in New York.  Plus it suffers from the same problem as the Hobbit series did, in my opinion.  It follows an epic, wildly popular adventure that doesn't seem to have the same sense of wonder and danger as its predecessor.  I'll recommend it because there is more good than mediocre here.  But, if you're longing for Rowling's wizarding world, fire up the DVD player and watch the Potter series.  Eddie Redmayne and Colin Farrell star with a surprise cameo from...ahhh, that would be telling.
***1/4 stars



Bad Santa 2- Billy Bob Thornton is back as Willie Soke, the hard drinking, deviant sexual misanthrope from the hilarious 2003 comedy.  Willie once again teams up with his diminutive and devious partner, Marcus, to knock off a Chicago charity on Christmas Eve.  The duo has a  new partner this time in the form of Willie's awful excuse for a mother, Sunny.  His life is further complicated by the now adult, Thurman Merman, the hopelessly naïve child from the first film who was pretty much the only person on the planet who believes Willie is a decent human being.  I've indicated in the past that comedies don't lend themselves well to sequels because the jokes tend to be repeated and get old quickly.  Bad Santa 2 still goes for the same lowbrow comedy of its predecessor, but, what I appreciated is that it didn't go overboard trying to "out-Santa" the first film as most comedy sequels do.  The jokes weren't as funny this time, but, they still work for the most part.  Bad Santa 2 made me smile.  Kathy Bates, Tony Cox, Christina Hendricks, and Brett Kelly co-star.
***1/4 stars



Warcraft- The fantasy role playing game is brought to life in this special effects laden action adventure.  It's humans vs. Orcs on the fantasy landscape of Azeroth.  Knights and mages.  Sword and Sorcery.  Huge monstrous creatures.  Should make for a good funhouse ride, right?  After watching this, I not only am NOT inclined to play this game, but, I also never want to see another frame of film involving this world.  It's not that it was necessarily bad.  It was just very blah for me.  These types of fantasy fights were done much better in the Lord of the Rings trilogy.  In fact, at times I was reminded of cheesy 80s sci-fi fantasy only with better special effects.  It just did nothing for me.  Dominic Cooper, Tony Kebbell, Ben Foster, and Paula Patton star.
**1/2 stars



Office Christmas Party- An all-star cast is front and center for this raucous holiday tale about a scattered, but, well-meaning party boy who heads the Chicago division of his family's tech business trying to justify his office's continued existence.  He is opposed by his overachieving ultra-competitive sister who is the CEO.  To avoid massive layoffs, he promises to land a large account.  Now the problem is trying to impress the straight laced representative of the company he needs to land.  What better way to do that than inviting that rep to the office Christmas party.  The party his sister resoundingly canceled.  What could go wrong, right?  Office Christmas Party is funny.  Very funny at times.  But, it all ends in silly typical "all is forgiven" fashion despite things happening that should have landed many people in a holding pen.  I guess this is how it should have ended, but, I was looking for something a little more subversive.  Jennifer Aniston, Jason Bateman, Kate McKinnon, Rob Corddry, Olivia Munn, Courtney T. Vance, and T.J. Miller star.
*** stars



Morgan- This sci-fi thriller covers familiar ground.  Humans trying to play God dabble in science they shouldn't, and said science ends up kicking them in the backside.  In this instance, a powerful corporate entity has financed the creation of a human girl.  For what purpose?  You'll find out as you watch.  Let's just say, the girl, chronologically five years old, but, physically, a teenager, has a few defects that have had some unexpected consequences for the scientists who made her.  The corporation sends their own special agent to investigate.  An agent who has some secrets of her own. You can pretty much call out most of what is going to happen before it happens.  Not necessarily a bad thing, just a predictable one.  What struck me is how incredibly stupid the scientists in this film are.  How many different ways does your experiment have to show it's dangerous before you get the hint you shouldn't be in the same room with it?  But, alas, I guess we wouldn't have anything to talk about if they were smarter, would we?  Kate Mara, Michelle Yeoh, Jennifer Jason Leigh, Paul Giamatti, and Anya Taylor-Joy star.
*** stars





31- I'm not even sure how to review this one.  I didn't hate it.  But, being a Rob Zombie film, it didn't make a lot of damn sense either.  The setup time warps you back to the mid 70s.  Five carnival workers try to desperately  survive 12 hours in a twisted game of death called 31.  The game is controlled by three  wealthy people dressed as aristocrats.  The object for the carnies is to avoid the aristocrats' henchmen known as "Heads." Each of the Heads is a murderous psychopath bent on mutilating their prey in the vilest ways imaginable.  If you're familiar with Zombie-type mayhem, there's gore galore and buckets of blood.  There's no rhyme or reason to 31, only mayhem.  One of the Heads, "Doom-Head" is a killer who waxes philosophical many times trying to add what I suppose is some type of keen insight on the human condition.  But, like most Zombie ventures, 31 is primarily Hillbilly Killer Theatre.  Sheri Moon Zombie, Malcolm McDowell, Meg Foster star.
**1/2 stars


Nine Lives- Tell me if you've heard this one before.  Overachieving workaholic husband and father forgets what is important in his life, so, an impossible transformation occurs where the workaholic is forced to endure several poignant, yet comedic adventures to regain his humanity and magically be transformed back into himself.  That's the premise of Nine Lives.  The wealthy workaholic dad in this instance is transformed into the one thing he hates the most.  A cat.  Outrageous merriment ensues.  Cute.  But, that's about it.  Kevin Spacey, Jennifer Garner, and Christopher Walken star.
***stars


Nerve- In this cyber-age thriller, an unknown entity has created an online game called Nerve.  Contestants who choose to play are given random challenges which they have to record themselves performing for the unseen master(s) of the game and throngs of online fans looking on.  Complete the task successfully and the contestants get cash wired to their bank accounts.  Fail and they can face various consequences including death.  And the tasks gradually escalate in degree of difficulty and danger.  It's a fascinating concept and the movie attempts to be a commentary on how cyber space is turning humanity into thrill seeking uncaring drones.  But, the premise can't sustain itself throughout the length of the film and delves into a convoluted conspiracy plot that isn't very entertaining for the final 15 minutes or so.  It leaves too many questions unanswered when it ends and they're not very interesting ones at that.  If you don't think about the holes too hard, you'll find much of it entertaining enough.  Dean Franco, Emma Roberts, and Juliette Lewis star.
**3/4 stars

The Shallows- Was the world ready for another killer ccgreat white shark movie?  Apparently, it was.  A medical student taking some much needed R&R in Mexico enjoys a day of fun and surfing.  Unfortunately for her, she unwittingly stumbles upon the feeding ground of a great white shark.  Needless to say, the shark isn't pleased by this interloper and intends to remove her in a way that only sharks can.  There are intense moments and one danger following another.  It's no Jaws, but, it's pleasing enough.  Blake Lively stars.
***stars

Why Him?- An eccentric and obscenely wealthy game developer has dated the college-age daughter of an uptight upper middle class family for a year.  While he's crude and lewd, he's genuinely a nice guy who wants to do nothing more than marry his new girlfriend.  Now, if only he can convince her father to give his blessing.  The film was a pleasant surprise for me.  I expected maybe a few laughs, and, then boredom from the sheer stupidity of the plot.  And, make no mistake.  Why Him? offers plenty in the way of stupidity.  But, it's funny stupidity.  I laughed a lot more at this one than I ever thought I would.  James Franco, Bryan Cranston, Keegan-Michael Key, Kaley Cuoco (voice only), Cedric the Entertainer, and Megan Mullaly star.
***1/2 stars



The Legend of Tarzan- In the latest relic Hollywood is dusting off to add a new shine to, the Lord of the Apes is set for a new adventure.  Eight years removed from living in Africa, Tarzan, has taken his rightful place in England as John Clayton, Lord Greystoke.  Convinced to return to Africa to expose a possible slave ring in the Congo, John has dangers other than natives and the harsh, cruel jungle itself to deal with.  An old enemy has struck a deal with the Belgian government who wants the regions precious diamonds.  The price for the diamonds is luring Tarzan back to the area where he's been marked for death.  The film is a solid actioner.  It really pops in action scenes over the jungle landscape.  Outside of the action, the story itself is a bit mundane which is why it doesn't rate higher for me.  Alexander Skarsgard, Margot Robbie, Samuel L. Jackson, Christoph Waltz, and Djimon Hounsou star.
***stars

Mechanic:  Resurrection- The sequel to the 2011 remake finds master assassin, Arthur Bishop (Jason Statham), trying to live quietly in Rio de Janeiro after faking his death.  A former acquaintance has tracked him down to make three extremely difficult kills.  Not only does Bishop have to kill these targets, all of whom are heavily guarded, but, he also needs to make each one look like an accident.  To add incentive, his new "employer" is holding Bishop's new love as collateral until he finishes the job.  If you're a fan of Statham's typical headbreaking style, you won't be disappointed.  He's tried to diversify a little in some of his most recent films.  But, this type of movie is where Statham lives.  Simple on plot.  Heavy on action.  Jessica Alba, Tommy Lee Jones, and Michelle Yeoh co-star.
***1/2 stars


Now You See Me 2- The Horseman have returned!  Those Robin Hood magicians from the first film have a new threat on the horizon in a tech genius that appears just as savvy as they are.  In a plot only slightly less convoluted as that of the first, the sequel isn't quite as fun either.  Plus, it also appears the story has been retconned in such a way as it makes the first film make even less sense.  Still, the illusions are fun.  The movie is entertaining on its own level even if some plot twists don't completely make sense.  Jesse Eisenberg, Lizzy Caplan, Woody Harrelson, Dave Franco, Mark Ruffalo, Morgan Freeman, Daniel Radcliffe, Sanaa Lathan, and Michael Caine star.
***1/4 stars

Teenage Mutant Ninja Turtles 2:  Out of the Shadows- This sequel to the 2014 megahit finds the reptilian foursome still protecting New York City from the shadows one year later.  There are several new additions to the cast from the TMNT universe including the introductions of Casey Jones, Bebop, and Rocksteady that turtlephiles should appreciate.  The Turtles main foe, Shredder, has teamed up with an alien entity to enslave Earth.  Standing in their way is...well, you know.  This movie was ripped to shreds critically when it was released, and I'm not sure why exactly.  You have to take the Turtles with a grain of salt.  They're corny.  Let's get that out of the way.  But, they do have a childlike charm about them.  This one has solid action and solid special effects.  Trust me, there are much worse movies in 2016 to sit through.  I've done it.  Megan Fox, Stephen Amell, Will Arnett, Tyler Perry, and Laura Linney star.
***1/4 stars


Kubo and the Two Strings- This animated feature set in ancient Japan follows a young boy with magical powers on the run from his Grandfather and aunts.  Along the way, he's assisted by no-nonsense monkey and an amnesiac samurai partly transformed into a beetle.  There's more to both than meets the eye.  It's a beautifully animated feature from Laika's animated studio.  Melancholy and humorous, Kubo has something for everyone.  It wasn't my favorite animated feature of 2016, but, it was the most innovative in many ways.  Featuring the voices of Charlize Theron, Ralph Fiennes, Rooney Mara, George Takei, and Matthew McConaughey. 
***3/4 stars

Star Trek Beyond- The third installment featuring the "new original" Star Trek crew finds our space heroes battling an enemy that attacks like an insect swarm.  The leader is in search of an ancient weapon that just happens to be on the Enterprise.  That leader also has surprising ties to the Federation's past.  I know these last three Star Trek films have drawn much criticism from hardcore "Trekkies" for not being Star Trek enough.  It's much the same as the criticism of Daniel Craig's rendition of James Bond.  But, I have to say, these new movies are fine by me as someone who hasn't been an avid Trek fan in the past.  I like the more Star Wars feel to them.  I know it probably can't last as Beyond didn't do the bang up business it was expected to do at the box office.  But, count me as a fan of the new direction it has taken since the 2009 reboot.  Chris Pine, Zoe Saldana, Karl Urban, John Cho, Anton Yelchin, Simon Pegg, and Zachary Quinto return as the Enterprise crew.
***3/4 stars




The Neon Demon- Nicholas Winding Refn's abstract tale of horror about the world of fashion and the world's emphasis on beauty could have been quite a screwed up commentary of the pitfalls found in both arenas.  That is, if any part of this movie made any sense at all.  An innocent young teenager enters the world of modeling, becomes increasingly more narcissistic, angers other  models jealous of her natural gifts, and...well that would be telling.  And, if you dare to view this monstrosity, you have to experience it in all its incomprehensible glory.  I will leave you with one thought.  Human eyeballs should never be part of anyone's diet.  Elle Fanning, Christina Hendricks, Jena Malone, and Keanu Reeves star.
*1/2 stars



Free State of Jones- Director Gary Ross spins a tale based on the life of Newton Knight, a medic in the Confederate Army who becomes weary with the senselessness of his side's cause and deserts.  Going back to his hometown a fugitive, he becomes a hero and leader of his and the surrounding communities' fight against Confederate oppression in Mississippi during the war.  The story also spins ahead to 1960s Mississippi as one of Newton's descendants has to fight bigotry in court due to his "unlawful" heritage.  The problem I always find with a film of this nature is that it's often hard to judge how good or bad it is because there are parts that make me angry watching them.  It's history though, every last ugly inch of it.  It's a little known tale that the public should be aware of, so, I do think it's worth viewing.  Matthew McConaughey stars.
***stars



Snowden- Oliver Stone directs this biographical tale of U.S. Intelligence officer, Edward Snowden, a man who became so disillusioned that he turned whistleblower on the agencies he worked for, and, essentially, on the U.S. government.  Snowden isn't a boring movie per se, but, it's not really edge of your seat viewing either.  It's...safe.  Maybe Stone told all there was to the story.  But, there wasn't a great deal of suspense in this for me.  The strength of Joseph Gordon-Levitt's performance is what will make me recommend this.  Whether Snowden, alive and well to this day and given asylum in Moscow, is a national hero or traitor you will need to decide.  His story is definitely tragic.  Nicholas Cage, Shailene Woodley, Melissa Leo, Zachary Quinto, Timothy Olyphant, and Tom Wilkinson co-star.
*** stars



The Accountant- An autistic forensic accountant uncooks the books for several unsavory individuals.  It's an added bonus that he's also able to do a little wetwork when the situation calls for those types of skills.  It's a crazy premise that strangely works in this fast paced thriller.  Ben Affleck gives a committed performance as the titular accountant.  His pained social interactions and mathematical genius comes with an underlying and awkward sweetness that's in sharp contrast to the brutality of most of the film.  By all indications, it seems the studio was going for a possible franchise with this one.  I'm not sure if it has enough positive buzz for that.  Personally, I wouldn't mind visiting this world again.  Anna Kendrick, Jon Berenthal, and John Lithgow co-star.
***3/4 stars


Blair Witch- Ugh.  Ugggh.  UGGGGHHHH!!!  This sequel to the 1999 found footage (one of many reasons I dislike that movie) horror phenomenon, The Blair Witch Project, follows the aftermath of the first film.  The brother of the female protagonist from BWP takes his merry band of friends into the same spooky forest where his sister and her friends disappeared years before in a desperate attempt to understand what happened to that group.  Not long after they enter, strange things go bump in the night, weird stick configurations appear out of nowhere, people start running haphazardly in the woods, and a nonsensical time is had by all.  Again.  It's so frustrating when you can't even discern what's happening because the camera is constantly jumping.  I guess this is supposed to add a touch of realism.  You know what I say to that?  UUUUGGGGGGGHHHHHHH!!!!!!!
*star



Keeping Up With the Joneses-
What do you get when accomplished undercover spies move next door to the most bland and mundane couple in the history of human existence?  What director Greg Mottola is hoping for is rip-roaring hilarity.  In part, he's right.  Keeping Up With the Joneses is very funny at certain times, but, it gets bogged down in the usual "fish out of water" trope when the average couple becomes unwittingly involved in the spy world.  That's not necessarily a knock against it.  I'm just saying there's nothing new to see here.  A movie like 2016's Central Intelligence did this type of story better.  This one is a harmless little comedy that has a few decent action sequences and a couple of laugh out loud moments.  It's worth viewing.  Zach Galifianakis, Isla Fisher, Jon Hamm, and Gal Gadot star.
***stars


Miss Peregrine's Home for Peculiar Children- Tim Burton's latest oddball venture follows a young man who becomes embroiled in a time looping battle of extraordinary beings called "peculiars" and "hollows."  One such group of peculiars is led by headmistress, Miss Peregrine, stuck in a perpetual time loop in 1943.  It's hard describing time altering stories as their narratives tend to become muddied in many circumstances.  But, I do give this one high marks for creativity even if it does become slightly tedious  trying to follow the film with much understanding at times.  Eva Green, Asa Butterfield, and Samuel L. Jackson star.
*** stars


Jack Reacher:  Never Go Back- The sequel to 2012's Jack Reacher finds Tom Cruise back in the titular role of the ex-military police officer who rights the wrongs involving the U.S. military.  In this latest adventure, Reacher must clear the name of an Army friend (and love interest) who is framed in a conspiracy involving weapons and drug smuggling.  It's fairly standard face punching and bone breaking action.  That isn't horrible mind you.  But, this Reacher film kind of weighs on you as you're watching it.  For one, it's overlong.  The mastermind of the conspiracy is caught with at least 25 minutes left of air time.  Add in a snarky teenage girl who may or may not be Reacher's daughter and the whole venture becomes a bit tedious.  Cobie Smulders co-stars.
**3/4 stars


Masterminds- This comedic heist movie is based on the real life 1997 Loomis Fargo Robbery in North Carolina.  Lovable, but, hapless armored car driver, David Ghantt is manipulated into being the inside man in the robbery of his company's vault.  None of the players in this heist are criminal masterminds so you can imagine what a comedy of errors this becomes after the theft is pulled off! With a heavyweight cast of comedians such as this, you would think Masterminds would be a laugh riot.  But, it's not.  It has its moments to be sure, but, if you were expecting a rollicking good time, you may be slightly disappointed.  It's still worth a look.  Zach Galifianakis, Kristen Wiig, Kate McKinnon, Owen Wilson, Jason Sudeikis, and Leslie Jones star.
***stars


Inferno- The third collaboration between Tom Hanks and director, Ron Howard, in the Robert Langdon film series finds the symbologist in desperate race against time (what else is new) to prevent the release of a virus that will kill millions.  The plot Langdon uncovers is needlessly elaborate and complicated.  It's made palatable on the strength of Tom Hanks pretty much.  While there are some decently shot sequences, Tom Hanks, action hero is still a little hard to get used to.  It's mostly a solid DVD watch and nothing more.  Felicity Jones co-stars.
***stars


Trolls- This DreamWorks animated feature pits the lovable singing, dancing, happy wild-haired Trolls against the unhappy, miserable Bergens.  The Bergens can only feel happy when they consume Trolls (pretty dark for a children's movie).  When a disgraced Bergen chef captures some of the Trolls for her king who has never eaten one, it's up to Poppy, the forever optimistic Troll princess to get her friends back.  The only assistance she has is from Branch, a worrying, fearful Troll who is as dour as Poppy is peppy.  I'm usually not a fan of the old Disney style of singing cartoons for the modern era.  There are many times when the characters break out in song.  However, it helps that the two leads can more than carry a tune.  The songs are also very recognizable pop tunes that most can relate to.  It's a cute movie with enough comedy to stop it from being syrupy sweet.  Featuring the voices of Anna Kendrick, Justin Timberlake, Zooey Deschanel, Russell Brand, Christine Beranski, and Christopher Mintz-Plase. 
***1/2 stars


Florence Foster Jenkins- This biographical dramedy follows the life story of  the New York heiress who became an opera singer during World War II.  Known for her horrific lack of skill in singing skill, Jenkins appears to have never been deterred through the bitter end.  The singing is treated a bit Three Stooges-like at times, but, in actuality, it's a tragic story of a woman who is a bit delusional, has a professionally loyal, but, cheating husband, and carries a debilitating disease given to her by her first husband.  It's another typically good performance by Meryl Streep in the title role.  Hugh Grant, Rebecca Ferguson, and Simon Helberg co-star.
***1/4 stars


The Edge of Seventeen- Oh, no!  Another coming-of-age dramedy.  This one, however, did get much critical praise during its release so I was optimistic.  Unfortunately, that optimism wasn't rewarded in my eyes.  The Edge of Seventeen is supposed to be a poignant tale of a socially awkward teenage girl coming to grips with the death of her beloved father (the only person who seemed to ever understand her) and just teenage life in general.  What I saw was a petulant teenager who self-inflicted most of her emotional scars.  If this had played as a complete farce about a sad sack teen, it might have had more traction with me.  As is, the main character just comes across as an "Oh, woe is me", brat.  The film isn't a disaster as it does offer some amusing moments, particularly from the main character's beleaguered, mildly sarcastic teacher/confidante.  But, teen angst usually isn't my style, so, I can't fully recommend it.  Hailee Steinfeld and Woody Harrelson star.
**3/4 stars


Arrival- This alien invasion film is a bit of a departure from the usual films in this genre.  As the invaders hover over random sections of the Earth and generally "freak out" the world's governments, a linguist is pressed into service by the U.S. in an attempt to communicate with the visitors.  Through much trial and effort, she is able to decipher their language.  But, is the purpose for the invasion malevolent, or, is there something less sinister afoot?  I don't necessarily mind nonlinear storytelling as presented in Arrival as long as the journey is worthwhile.  One of my favorite movies of all time is Pulp Fiction to illustrate.  While Arrival does present a thought-provoking conundrum at the end, the journey was a bit long and painful.  Because of the dilemma the film presents, I do want to like it more than I do.  I just can't.  Amy Adams, Jeremy Renner, and Forrest Whittaker star.
**3/4 stars


Loving- This historical drama tells the story of Richard and Mildred Loving, an interracial couple from Virginia, persecuted by the state for marrying in 1958.  In a case that went all the way to the Supreme Court, the Lovings had to fight tooth and nail to stay together even being banished from the state for their union.  It's a well- acted film that exposes more of the dark underbelly of U.S. history after the Civil War.  It'll make you angry and destroy your faith in humanity at times.  But, the end result is uplifting.   It's a movie I'm glad I've saw, but, films like this are only a one shot for me.  Joel Edgerton and Ruth Negga star in the lead roles.
***1/4 stars

Almost Christmas- You really should follow Flava Flav's sage advice when it comes to watching this film, "Don't believe the hype!"  And, by hype, I mean don't get sucked in by the trailers that this is a raucous holiday comedy.  There's way more melodrama here than I was anticipating and, it wasn't particularly moving.  The Meyers clan is challenged by the family patriarch to spend five days together, including Christmas, without conflict.  There are feuds where you're not quite sure why there is one.  Drama feels forced and unoriginal.  It does offer some amusing moments at its obvious attempts to force comedy, but, overall, this is a glorified Lifetime movie posing a major motion picture.  Danny Glover, Omar Epps, Gabrielle Union, J.B. Smoove, Romany Malco, Kimberly Elise, and Mo'Nique star in the ensemble cast.
**1/2 stars




Nocturnal Animals- Tom Ford wrote and directed this psychological thriller that follows two parallel stories.  A wealthy art gallery owner in a loveless marriage with her current husband is sent a manuscript for a novel written by her estranged ex-husband.  As she reads the dark story, the audience might just be witnessing an allegory of  the former couple's sordid past.  I give Ford credit for conveying his story in a somewhat unique way, but, the transitions between reality and fantasy aren't always seamless.  It's not always easy to make the connections and I found myself drifting slightly.  If you're looking for twisted Jake Gyllenhaal thrillers, I would recommend Nightcrawler before this one.  And the opening credits are a sight to behold.  Aside from the aforementioned Gyllenhaal, Amy Adams and Michael Shannon co-star. 
**3/4 stars


Pete's Dragon- In Disney's continued direction of remaking their classics into live action feature films, they've had varying degrees of success in my opinion.  While none have been bad, some have been far superior to others.  I count the lesser known Pete's Dragon as a very pleasant surprise.  I have to confess, it has been decades since I saw the original film, so, this remake didn't particularly excite me when I first heard about it.  But, it was a magical experience.  Five year old Pete is orphaned when his parents meet their end during a family outing.  He's found and cared for in the next six years by a dragon living in the forest who's as friendly as a large puppy.  Chaos and misunderstandings ensue when both are discovered by local townspeople.  It's an amusing and heartwarming film.  It almost brought tears to my eyes.  Bryce Dallas Howard, Wes Bentley, Karly Urban, and Robert Redford star.
***1/2 stars




Allied-
Brad Pitt and Marion Cotillard star as a Canadian intelligence officer and French Resistance fighter who work together to assassinate a German ambassador during World War II.  Beautiful people working that closely together naturally fall in love, get married, and start a family, right?  It's destined to be a beautiful life until Allied intelligence discovers the French rebel might be a Nazi spy and tasks her husband with putting her down.  It kind of puts a damper on happily ever after.  Allied is a slow burn thriller that has some blindingly violent scenes that offset the romance of the two leads.  It's a well-acted bittersweet effort from director Robert Zemeckis.
***1/4 stars



Moonlight- Well this was the Best Picture winner for 2016.  It's a story told during three important phases in a young African-American boy's life.  Chiron is living a hard life in Miami.  Between his drug addicted mother and being friendless at school, he is starved for human kindness of any sort.  Add to that a growing confusion regarding sexual preference in a culture that scorns homosexuality.  By all critical accounts, this is a beautifully crafted coming of age story of a culture rarely seen in cinema.  I can agree with that in part.  Homosexuality in the African-American community is something you don't see approached seriously on camera very often.  But, try as I might (and I did), I just couldn't muster the energy to care about what was happening.  All I could think about as I was watching this is, "Wow, this is much ado about nothing."  Maybe that's the wrong way to view this because I am clearly in the minority here.  I just didn't get why this film was the phenom it became.  Another thing I'll say about it is that the movie does play to stereotypes that need to start dying.  Maybe that's why I wasn't impressed.  Maybe it's because there were no bombastic, attention-seeking performances to speak of here.  Good for Moonlight and Mahershala Ali for taking home the hardware this year, but, emotionally, I wasn't feeling this. Naomie Harris, Andre Holland, and Janelle Monae co-star.
**1/2 stars


Moana- There's no denying it.  Disney is on fire!  They are absolutely printing money these days with their ownership of Marvel Studios, Lucasfilm, and Pixar.  Lately they've been making a killing with their own brand-labeled animated features.  After huge successes with Frozen and Zootopia, the House of Mouse brings us Moana.  It's the story of a Polynesian chief's daughter tasked with returning the symbolic "heart" to an island goddess in order to bring prosperity back to the land.  Along the way, she's assisted by an arrogant, but, good natured demigod.  And, that's my problem with Moana.  Well, not so much a problem, as a slight disappointment.  While the film was cute, it didn't really jump for me until demigod, Maui, was firmly in the mix with his one liners and storytelling tattoos.  By no means am I implying  Moana is a bad movie.  Far from it.  I just didn't like it as much as a thought I would.  Featuring the voices of Dwayne Johnson and newcomer, Auli'i Cravalho. 
***1/4 stars


Manchester By The Sea- A grief-stricken loner is tasked with the guardianship of his 16 year-old nephew after his brother dies in this heavy-handed family drama that pretty much makes little progress for over two hours.  Through flashbacks the audience learns the tragic circumstances that have led to the current life he leads before his sibling's tragic death.  The flashbacks are confusing and our protagonist just can't seem to get out of his depressing rut.  As I said in my review of Moonlight, good for Casey Affleck and his Oscar win.  But, ultimately, the film is a fistful of nothing.  Nothing interesting.  Nothing insightful.  I just don't understand the good will the movie has inspired.  Casey Affleck and Michelle Williams co-star.
**1/2 stars


Passengers- What would you do if you were on a 125 year journey to another planet and accidentally awakened from cryo-sleep 30 years in?  How long would you be "ok" being completely alone (with the exception of a cyborg bartender)?  Would you do the unthinkable?  Would you wake someone else up because you need a companion dooming them to your fate as well?  That's the dilemma in this sci-fi thriller that's a little bit Wall-E, a little bit romantic drama, and a little bit off-putting stalker movie.  Despite a bit of a contrived occurrence that makes deception somewhat acceptable, the film does tackle some interesting moral dilemmas.  What would you really do if faced with a lonely oblivion?   Jennifer Lawrence, Chris Pratt, and Laurence Fishburne star.
*** stars


Fences- Denzel Washington directs and stars in this film of a very flawed husband and father trying to keep his family together in 1950s Pittsburgh.  Washington is Troy Maxson, a hard drinking, opinionated, blusterous sanitation worker who can't seem to get out of his own way when dealing with his wife or teenage son.  While not an evil man, Maxson is hard-hearted and more-often-than-not a mental bully to his son.  He was once a great baseball player in the Negro leagues who is just a smidge resentful that he was a little too old to play when blacks were finally allowed in the Major League.  He puts up walls, or fences, between himself and loved ones that no one may be able to break through.  It's a well acted movie, but, it's not a particularly riveting one.  It's worth a look.  Viola Davis won Best Supporting Actress for her role as Maxon's wife, Rose.
*** stars

Collateral Beauty- A somewhat surreal journey into an advertising executive's path to acceptance of his young daughter's death, Collateral Beauty is definitely a different kind of movie.  Both the executive and his friends/business partners meet three actors who change their lives in profound ways.  These actors who may not be all they appear to be add some light comic effects to the heavy subject material.  The revelations in the film, while not shocking (you'll figure a lot of it out before it happens), are poignant.  It's a bittersweet movie that I think avoids becoming overly preachy. Will Smith, Helen Mirren, Edward Norton, Kate Winslet, Michael Pena, Keira Knightley, and Naomie Harris star in the ensemble cast.
*** stars


A Monster Calls- A young boy facing a series of troublesome issues, including the imminent death of his terminally ill mother, is visited by a giant tree-like monster who advises he will return to tell the boy three true stories in exchange for one story from the boy.  Based on a novel of the same name, this dark fantasy is infinitely more fascinating when the monster is onscreen.  Despite his fierce visage, the monster adds humor to the otherwise dark themes in the film.  The movie jumps during his stories.  When he's not onscreen, the movie is a bit tedious.  Admittedly, it's a creative way of teaching how to face fears and let go, but, this one was a mixed bag for me.  Sigourney Weaver and Felicity Jones star.  Liam Neeson voices the monster.
*** stars


Miss Sloane- A cunning and ruthless Washington lobbyist who wins at all costs may get more than she bargains for when she takes on one of the country's most powerful organizations in this twisty political thriller.  As the story unfolds, she may actually learn finally that winning may come at too high of a cost.  Miss Sloane is a riveting drama set against the backdrop of contemporary politics.  You can almost see this playing out on CNN sometimes.  John Lithgow and Mark Strong co-star.  Jessica Chastain gives a fantastic performance in the lead role.
***1/2 stars


The Founder- Visionary.  Snake.  Entrepreneur.  Rat fink.  Every description fits McDonald's "founder", Ray Kroc.  Why is "founder" in quotes?  If you don't already know the story, you'll just have to watch it unfold.  Based on true events, the film spins the tale of how one man made a simple walk-up hamburger stand a global empire.  But, in the making of an empire, people usually get crushed.  Each individual will judge Kroc's actions good and bad, and there's a little bit of one and a lot of the other to chew on. But, the end result made him legendary.   Michael Keaton gives a criminally underappreciated performance as Ray Kroc.  Nick Offerman, Linda Cardellini, Patrick Wilson, Laura Dern, and John Carroll Lynch co-star.
***3/4 stars


Hidden Figures- FINALLY!  An Oscar contender I can get behind.  African-American women face racism and misogyny at 1960s NASA in this biographical drama.  Following three (Katherine Johnson, Dorothy Vaughn, and Mary Jackson) in the era of America's space race with the Soviet Union, these women became instrumental figures in the country's first manned missions to the great beyond.  Wonderful performances are turned in by the three main actresses.  Taraji P. Henson, Octavia Spencer, and Janelle Monae star.  Kevin Costner, Kirsten Dunst, Mahershala Ali, and Jim Parsons co-star.
***3/4 stars


La La Land- The film that was almost Best Picture.  Actually, it was for a couple of minutes.  A throwback to musicals of yesteryear, director Damien Chazelle concocts a bittersweet romantic drama following a Jazz musician's and aspiring actress's trials as a couple in modern day Los Angeles.  Well-acted, but, utterly predictable at times, the film is carried by the chemistry of its two leads.  Musicals aren't my thing, but, the singing and choreography are well done.  If you're itching for a little old school nostalgia, give it a go.  You can do much worse.  Ryan Gosling and Emma Stone (who won an Oscar for this role) star. 
***1/4 stars


Sing- Musical animated anthropomorphic animals are nothing new to film.  Illumination Entertainment, the studio that brought you those mischievous Minions, crafts the story of a entrepreneurial koala holding a singing competition to save his failing theater.  Of the course the hilarity comes from various animal species grooving to popular songs.  You haven't lived until you've heard a Sinatra-knock off mouse belt out "My Way."  Mind you, I'm not being sarcastic.  Sing is very cute and sweet.  I'm just saying don't expect much more than that.  In this case, it's more than enough. Featuring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, John C. Reilly, and Scarlett Johansson.
***1/4 stars


Sully- Director Clint Eastwood recounts the real life emergency water landing of US Airways Flight 1549 by pilot, Chesley Sullenberger.  Hailed as a hero by the media, "Sully" had to fight to convince his superiors that the water landing was necessary.  Giving a story like this the justice it deserves requires a need to stick to the facts as much as possible without many embellishments.  In other words, I'm saying Sully isn't the most exciting movie you'll ever see.  It's ably acted, directed, etc.  But, it's about as adrenalin-pumping as drinking a glass of milk.  Still, it's a story worth telling.  Once.  Tom Hanks stars as the titular character.  Aaron Eckhart and Laura Linney co-star.
*** stars


Yoga Hosers- Remember when Kevin Smith wrote silly, yet poignant dialogue?  Remember when he was actually funny?  Yeah, seems like a lifetime ago.  It's hard to believe the same man who gave us Clerks and Chasing Amy turned this out.  Was he angry at someone?  Did someone lace his marijuana with acid?  I'm at a loss as to what I should say here.  Well, the plot, if you can call it that, involves two vapid teenage girls who spend their days with their noses buried in their phones, doing yoga, and playing in their all-female rock band (including a 35-year old male drummer) foiling the nefarious plans of  failed artist, Andronicus Arcane, and his army of foot tall bratwurst soldiers (Bratzis).  Taking place in Canada, the film is littered with horrible Canadian puns.  Hey, you might turn a drinking game into how many times you hear the word "a-boot."  This is the second chapter of Smith's True North Trilogy, a trio of North-of-the-border horror comedies.  The first installment, Tusk, wasn't a great movie, but, it was at least provocative in some instances.  Yoga Hosers, a spin-off of Tusk, has no such redeeming qualities save for a cameo by comic legend, Stan Lee.  Oh, and I did mention this was a trilogy, right?  So, we have "Moose Jaws" to look forward to in the near future.  I'm not lying when I say this.  Smith has described it as "Jaws" with a moose.  Johnny Depp reprises his role from Tusk as the creepy Canadian monster hunter, Guy LaPointe.  No, Depp still hasn't stopped playing weird buffoons.  Lily-Rose Depp (Depp's real life daughter) and Harley Quinn Smith (Smith's real life daughter) star as the teenage "Colleens", the movie's protagonists.
1/2 star


Jason Bourne- The fifth installment of the Bourne series finds our favorite amnesiac spy trying to keep a low profile until he's found by a former agency contact.  In yet another deep conspiracy, Bourne tries to unravel the truth of his father's involvement in his recruitment and training.  There's nothing wrong with this Bourne story per se, but, I think it might be time to retire this franchise.  There's still a few high octane thrills to be had, but, this is pretty much the fifth time of seeing, what is the name of the piece by The Four Tops?  Oh, yeah.  "It's the Same Old Song."  Matt Damon returns to the title role of Jason Bourne.  Julia Stiles, Tommy Lee Jones, and Alicia Vikander co-star.
*** stars


Hacksaw Ridge- Mel Gibson returns to the director's chair to recount the true story of Desmond Doss, a pacifist Army medic in World War II who refused to use or touch firearms.  Yeah, that would make it a little difficult to when you're on the battlefield wouldn't it.  In Okinawa, Japan, Doss singlehandedly carried 75 wounded men to safety on a stretch of land nicknamed "Hacksaw Ridge."  I'm not a big fan of war movies.  They're just so extremely sad I have difficulty sitting through them.  This one is no different.  It's a well-crafted movie by Gibson, but, watching the pain and suffering of war, even simulated gives me a feeling of dread.  I'll recommend it for those who don't have an aversion. Andrew Garfield gives a notable performance as Doss.  Vince Vaughn, Sam Worthington, and Teresa Palmer co-star.
***1/2 stars


The Birth of a Nation- I'm going to make this one short and sweet.  This is another movie genre that I'm not very fond of.  The film is based on the story of Nat Turner, a slave who led a short-lived slave rebellion in 1831.  It's what you would expect of a movie depicting the Antebellum South.  Unimaginable cruelty floods your senses.  It's difficult for me to label a film of this nature good or bad.  If you want dose of history, go for it.  But, I wouldn't blame you if you left it alone either.  It is well acted, so, on that basis, I'll recommend it.  Nate Parker, Gabrielle Union, Armie Hammer, and Penelope Ann Miller star.
*** stars




Patriot's Day- The 2013 Boston Marathon bombing is brought to the big screen in this Peter Berg film.  It covers all the bases of following random people leading regular mundane lives until the tragedy strikes.  After the bombing, the film is a solidly paced thriller that fortunately doesn't feel exploitative.  It naturally becomes a little "U.S.A, U.S.A." campy given the subject matter.   It's still a stirring tribute to the heroes who lived through that tragic event.  Mark Wahlberg, J.K. Simmons, John Goodman, and Kevin Bacon star.
***1/2 stars


Ratings Legend
Zero *= Don't waste your time. Pure dreck! Dreck is too good for this! Blind me please!
1 *= Fuggedaboutit!
2 *= Average, Mediocre, Nothing Special
3 *= Worth a look.  Better than a poke in the eye.
4 *= Great. I'm doing my happy dance!
5 *= Pure eye candy. I have seen the top of the mountain, and it is good



























Thursday, May 12, 2016

Captain America: Civil War

Reviews from the Dark Side presents
Captain America:  Civil War
Released 5/6/16

'Tis the year of superhero beatdowns in 2016.  In March,  DC Comics/Warner Brothers gave us the unprecedented pairing of the iconic Superman and Batman (being at odds no less).  Now, it's Marvel's turn.  The year's 2016 Summer Movie season kicks off with the highly anticipated third entry in the studio's Captain America franchise, Captain America: Civil War.

So, where to start?  Well, I'll tell you where I won't start.  This review will evaluate Civil War on its own merits and avoid the oft made comparisons with Batman v. Superman:  Dawn of Justice.  I honestly don't think anything is gained by that.  As much as I preach that both Marvel and DC fans should embrace each other in this "age of the geek" in Hollywood, there's still a vast schism between the two sides.  And, I'm really not interested in turning this into a Marvel vs. DC debate.

Unlike previous entries from Marvel Studios, there is no clear antagonist in this ideological war between beloved heroes Captain America (Chris Evans) and Iron Man (Robert Downey, Jr).  Civil War is the culmination of several huge events depicted in the previous two Avengers films and Captain America:  The Winter Soldier.  Most of the gang from those films is back together with the exception of the two most powerful members, Thor and the Hulk.  In fact, the cast is so large, Civil War has jokingly (and not so jokingly) been called Avengers 2.5.

Based loosely on the Mark Millar comic book miniseries from Marvel, Civil War has the Avengers  divided over the group's threatened autonomy.  When another mission on foreign soil goes awry for the team and lives are lost as a result, the governments of the world move to sanction the heroes through the Sokovia Accords (named for the tragic incident from Avengers:  Age of Ultron).  Through the Accords, the team will be placed under United Nations supervision only able to act when ordered to do so by the group.  As implied by Secretary of State, "Thunderbolt" Ross (William Hurt), failure to comply by signing off on the Accords will result in those individuals being deemed outlaws and subject to incarceration. 

The idea chafes Steve Rogers.  He's seen many occasion, most recently with the fall of S.H.I.E.L.D. in The Winter Soldier, where an authoritative body can be corrupt and concerned only with its own agenda.  As he says, what if the Avengers are needed somewhere and they aren't allowed to act?  What if they're deployed where they shouldn't act?  While he acknowledges mistakes have been made, the power to act is best left in the team's hands. 

For Tony Stark's part, his conscience is beating the Hell out of him after the events of Age of Ultron.  Many suffered for his blunder.  Many paid with their lives.  As much as he is trying to make amends at the beginning of the film, it's all brought back home for him by a grieving mother whose son died in Sokovia when Ultron attacked.  And, it's not just this incident in Sokovia that is driving the Accords.  The beginning of the whole mess began with the Battle of New York in the Avengers and continued with the massive destruction in Washington D.C. in The Winter Soldier.  The latest tragedy in Lagos is just the frosting on the cake.  The Avengers have done a lot of good, but, they've also left a lot of death and collateral damage in their wake.  They get to go home every time.  The world is left to clean up their mess.  As Tony says, "they need to be put in check."  But, with him acting as the buffer between Ross, the U.N., and the team, he can make the situation livable for all.  If only the Captain would cooperate!

Thrown into this blender are a couple of new players and an old one.  First, the latter.  "Bucky" Barnes (Sebastian Stan), aka, the formerly Hydra brainwashed Winter Soldier, is destined to play a pivotal role.  A conspiracy involving him will put Steve and Tony more at odds with each other and split the Avengers into two distinct teams.  Team Cap consists of the super soldier himself, the Winter Soldier, Scarlet Witch (Elizabeth Olsen), The Falcon (Anthony Mackie), Hawkeye (Jeremy Renner), and Ant-Man (Paul Rudd) who attempt to uncover the conspiracy. 

Opposing them is Team Iron Man assembling the talents of Stark, War Machine (Don Cheadle), Black Widow (Scarlett Johannson), and Vision (Paul Bettany).  The two newcomers align with this group. This would be the newly crowned king of the advanced African nation of Wakanda, T'Challa (Chadwick Boseman).  We soon learn there's more to him than meets the eye as he's also his nation's traditional protector, the Black Panther.  Events in the film give him reason to want the Winter Soldier badly. The other member of Team IM?  Well, Tony just happens to have followed the exploits of a certain wall crawling teenager (Tom Holland) in the last six months who he recruits to his cause. 

And let's not forget the mystery figure with an agenda who's prominent in the conspiracy (Daniel Bruhl).  What is his fascination with the Winter Soldier?  What secrets will he unlock to tear the Avengers apart?  Only the man called Zemo knows.

Directors Anthony and Joe Russo have once again crafted a story with several competing emotions at play.  They've not only equaled their standout work from The Winter Soldier, they've improved on it.  Civil War is the sad fracturing of a family.  A dysfunctional one no doubt, but, a family nonetheless.  The protagonists are also the antagonists.  That makes the intricacies of the script all the more amazing.  There are no clear villains here.  They're different groups with different viewpoints and each has as much merit as the other. 

One danger the Russos could have easily fallen victim to in a film of this nature is the motivation for these heroes to come to blows.  This film could have easily devolved into a contrived narrative where we have to accept the sides are at odds just because they are.  The layers Civil War is built on from previous movies feels natural and organic.  Both sides have talked.  They've debated.  They've tried to persuade each other. They can't agree.  A fight is inevitable.

Even Zemo, whose actions in the film are cruel and despicable, garners some sympathy from the audience as he has some compelling reasons to mastermind the Avengers downfall.  He's not the bombastic, psychotic, or mustache-twirling villain you come to expect in movies of this nature.  He's a patient conniver driven by emotional pain more than a desire to wreak global havoc.  That doesn't make his actions any less dastardly.  He's just  a different breed.  I think Bruhl played this with just the right angle.  Cold and clinical with just enough vulnerability to keep the audience from outright hating him.  He's a very human antagonist.  But, he breaks the team mentally and physically all the same. Or, better yet, he manipulates them into doing it themselves.

As for the other newcomers, Civil War served as much as a launching point for both Spider-Man and Black Panther.  We'll start with the wall crawler.  I need to see a little more of Tom Holland before I declare him "best Spider-Man ever" as I've read/heard in some circles.  But, I will say he's off to rip-roaring start.  Tobey Maguire was a better Peter Parker than Spider-Man in my opinion.  Andrew Garfield was the opposite.  For his brief time onscreen, Holland appears to be hitting the right note on both.  He's the nerdy, awkward Peter Parker out of costume and the incessantly chatty Spider-Man in battle.  And, again, the writing for his introduction was perfect.  He's a total inexperienced fish out of water walking among the titans in the Avengers.  Yet, he more than holds his own with them proving his abilities are something to be reckoned with when he becomes a seasoned hero. 

The only thing that felt a little odd was that you had the sense that Spider-Man's appearance was a bit shoehorned in the movie (which it was).  He wasn't originally supposed to be part of this.  Then, Marvel Studios obtained the rights to use him from Sony, and the rest was history.  Civil War would have been effective without him.  But, I understand why the studio felt the need to get him involved in their cinematic universe as quickly as possible.  Spidey was a memorable addition to the film to be sure, but, an unnecessary one if I'm honest about it. 

Chadwick Boseman has quickly become one of the better actors in Hollywood.  He was a great choice for Black Panther.  Powerful, regal, and highly intelligent, the Panther, for me, was the most surprising part of the film.  I wasn't sure what to expect as I never followed his adventures much in the Marvel Universe.  But, he has a presence that can't be denied.  You get the feeling that if Zemo's deception hadn't been revealed, no one, not Iron Man or Captain America, could have kept the Panther away from the Winter Soldier.  I knew a Black Panther movie was in the works and I was more or less a little "meh" about the prospect.  It's not that I don't think Marvel would make a good movie, it's just that I was a little indifferent to the character.  Civil War has made me a believer and so has Boseman.  I want the Black Panther film as soon as possible now. 

One underrated aspect of Civil War and I think of the Marvel Cinematic Universe in general is the profound change we've seen in Tony Stark/Iron Man since The Avengers.  We've seen him suffer through PTSD after the Battle of New York.  Then, Wanda screws with his mind leading him to believe the creation of Ultron was a good idea.  Ultron causes mass destruction dumping an incredible amount of guilt on his already damaged psyche.  Then, a grief-stricken mother here in Civil War just pushes him over the top to accepting government control over the team.  He's a far cry from the maverick industrialist you last saw in Iron Man 2 and three quarters of the Avengers.  The arrogance is still there, but, so is numbing guilt over his past actions. 

Speaking of guilt, there's plenty to pass around in Civil War's final act.  The big reveal that starts the final three-way dance is a testament to how well the film was written.  It's hard to imagine how Cap and Iron Man will ever reconcile.  Even if you were on Cap's side, Zemo's revelation about the Winter Soldier can't help but make you sympathetic to Tony.  His rage is completely plausible.  His breaking of the temporary truce understandable.  And Cap knows it, too, which is why his symbolic abandonment of a prized possession is all the more heartbreaking.  This is good stuff all around.

I would be remiss if I wrote this review without mentioning one of the most exciting sequences I've seen in any film.  If you've seen it, you know I can only be referring to the airport scene.  How much fun was that?  It's a fast paced mile-a-minute affair that does the impossible of giving each hero a chance to shine and show how capable they all can be.  Credit again to the Russos for pulling this off with such a large cast.  In fact each character has his/her moment in the sun outside of this scene as well.  The control of a large cast hasn't been pulled off this masterfully since Joss Whedon did the same with the first Avengers film.

Civil War is about as perfect as a superhero film can be.  If you're a fan of the genre, this one will put a wide smile on your face.  It has the signature Marvel humor and winks, but, the stakes are noticeably raised.  The Avengers are in disarray.  And, if you've been following the MCU, you know it's bad news for the world.  Something wicked is on its way.  I, for one, can't wait to see how it all plays out.

The Dark Lord of the Sith says:

***** stars

Ratings Legend
Zero *= Don't waste your time. Pure dreck! Dreck is too good for this! Blind me please!
1 *= Fuggedaboutit!
2 *= Average, Mediocre, Nothing Special
3 *= Worth a look.  Better than a poke in the eye.
4 *= Great. I'm doing my happy dance!
5 *= Pure eye candy. I have seen the top of the mountain, and it is good




Sunday, March 27, 2016

Batman v. Superman: Dawn of Justice

Reviews from the Dark Side presents
Batman v. Superman:  Dawn of Justice
Released 3/25/16

Nothing huge happened on the motion picture front this week, did it?  All kidding aside, the first mega-release of 2016 is upon us and fans of geek culture can rejoice because the two biggest icons of the comic book world are together onscreen for the first time (that I know of).  The Dark Knight and Last Son of Krypton have come together for the smackdown of the ages.  But, is it truly a time to rejoice? 

Well, if you listen to the vast majority of critics' reviews, it definitely isn't.  In fact, the film is only slightly better than getting fried on the spot with Supes' heat vision.  Now, critics' reviews aren't always the be-all, end-all of how successful a movie is destined to be.  But, given the reported fortune Warner Brothers poured into this venture and the fact this is the start of the DC Cinematic Universe in earnest, the less than stellar feedback had to be somewhat of a concern.  Particularly since 2013's Man of Steel, while a mild success, met its fair share of criticism, as well. 

Moviegoers don't always march to the beat of the same drum as critics, and, after seeing the film, I imagine there will be a great divide between the two groups.  So, did I like it?  Yes.  I liked this amalgam of The Dark Knight Returns and ..... (sorry , no spoilers here) very much at times.  Did I think it was great?  Let's pump the brakes a little.

Dawn of Justice picks up on the coattails of Man of Steel as it is revealed an older, more grizzled Bruce Wayne (Ben Affleck) is in Metropolis to witness the cataclysmic destruction caused by Superman's (Henry Cavill) fight to the death with General Zod (Michael Shannon).  Coming to believe Superman poses as great a threat to Earth as anything else the world has ever seen, he, in typical Bruce Wayne fashion, begins to monitor the Man of Steel's exploits closely and...plan. 

For his part, Superman is doing his Superman thing, saving flood victims, rescuing exploding shuttles, etc.  He's growing more and more concerned that his actions are misconstrued as not all people on Earth believe he's a "hero", particularly those in Metropolis caught in the crossfire when he fought Zod.  He also has a U.S. congressional committee led by Senator Finch (Holly Hunter) that wants answers from the alien himself.  The mass destruction of a heavily populated city is hard to live down even if you were trying to do good. 

Just as Bruce Wayne is watching Superman, Superman is beginning to follow the news clippings of a certain Bat-vigilante in neighboring Gotham in his civilian identity as Daily Planet reporter, Clark Kent.  In fact, the vigilante has been upping the ante so-to-speak in recent months.  He's driven and, most of all, he's as brutal as anything Clark has seen. The Bat is leaving an alarming trail of broken, branded (yes, I said branded) bodies in his wake which Clark finds disturbing. 

That brings us to our primary antagonist in the film, Lex Luthor (Jesse Eisenberg).  Lex is the insanely wealthy CEO of huge business conglomerate who more than dabbles in some unusual scientific research.  He's become increasingly interested in the alien Kryptonian himself.  He has an agenda that involves both heroes. 

One of the better aspects of DoJ is one that caused a great deal of controversy when first announced.  Let's say it together class.  BEN AFFLECK IS THE NEW BATMAN!  What?  How dare they cast this hack?  He's awful.  No way is this a good idea.  Well you know what?  It wasn't a good idea.  It was an excellent idea!  By far, he's the most well-rounded, best developed character of the movie.  Affleck's Batman is dark (well, duh).  But, it's a different type of dark.  The brutality this Batman is capable of is on a different level.  I mentioned before that Affleck's Batman likes to brand his victims with a bat emblem adding a chilling amount of sadism to the character.  He's a vigilante who has seen and done much in his esteemed career.  He's experienced loss, and, not just from the famous death of his parents (which is kept mercifully to a brief flashback segment).  We're briefly introduced to another possible source of Bruce's pain in the form of a suit of Robin armor with a cryptic, but, deadly message written on it.  He's pretty much a hardened hero who doesn't give a *bleep* about the animals he hunts any longer.

One thing I thought was a definite improvement on the "Batfleck" Dark Knight compared to the last Christian Bale version of the character was the speech pattern.  I always found Bale's cadence more than a little off-putting with his primal growl.  How he didn't have persistent laryngitis when he was making that Nolan trilogy I'll never know.  You try speaking that way consistently for more than 10 minutes and see if it doesn't do bad things to you.  Affleck's voice modulation as Batman was the way to go.  It gives the voice alteration while still maintaining a high level of malice.  Much more believable and much less cartoonish. 

Kudos to the casting of Jeremy Irons as Bruce Wayne's ever faithful, and, ever cynical butler, confidante, mechanic, nurse, etc., Alfred.  I've had an issue with Alfred in past big screen adaptations because he pontificates without having anything of substance to say.  Irons' darker outlook on the world fits a darker Batman.  However, he still maintains the delicate balance of trying to be Bruce Wayne's conscience to some degree. 

Cavill's Superman is still pretty much the angst-ridden self-doubting stranger in a strange land he was in Man of Steel. Of the two main characters, he definitely got a bit of the short shrift in my opinion.  He desperately wants to help where he can, but, is disheartened by the fact that he is not completely trusted, that he's a "False God" as one non-believer spray paints on statue made in his honor.  What is the right thing to do?  Submit to government scrutiny or continue to play the lone wolf ?  A lot of people have a lot to say about him, but, he doesn't have much to say for himself which was a problem for me in the film.  Compared to the Dark Knight, he's just not that interesting outside of his amazing abilities. 

So, now we come to one of the biggest moments in the film courtesy of the onscreen introduction of Wonder Woman (Gal Gadot), another controversial casting decision.  Although we're really not quite sure what her deal is (trust me, the movie would go off without a hitch if she weren't in it), I will say that her introduction into the melee of the final battle was something to make note of.  It was an impressive intro to an iconic character.  I have no doubt Gadot can act the part.  I like the WW costume that's been made for the big screen.  She looks good in the costume.  My only hang up still is she doesn't quite look the part and it's through no fault of her own.  She's as toned as she can be without looking musclebound.  She just looks like she's 98 pounds soaking wet.  Given the nature of the WW costume, there's just no way to hide it.  Michael Keaton could be hidden in body armor to hide the fact that he didn't physically look like Batman.  Gadot doesn't have the luxury.  But, she is our WW.  As long as she continues to act the part well, I'll get over that eventually.

That brings me to the strangest part of the film, or, let me say, strangest character for me, Lex Luthor.  What do I say about Eisenberg as Luthor?  I'll say the take he had on Luthor he played very well.  It's just that take reminded me of Jim Carrey's Riddler on amphetamines at times.  I remember Luthor as a sophisticated, manipulative businessman.  Ruthless to the core.  Everything calculated to the smallest detail.  His brain being every bit the match of Superman's brawn.  What we got was an itchy, twitchy animated chipmunk version of Lex.  It was also a bit weird that Lex would let himself get caught with his hand in the cookie jar.  His plan was a convoluted one trying to manipulate the two combatants into facing off (how Bruce fell for it was a little strange, too).  But, the title is Batman v. Superman, so, something had to bring them together I suppose.  It's Luthor's plan B that really got me scratching my head.  How was he expecting to control  the Kryptonian monstrosity he created (that would Doomsday, folks)?  On top of that, he kind of made no secret that Doomsday was his mess which lands him in the pokey!  Very un-Luthorlike.  Maybe it was just a demonstration of his extreme arrogance, but, strange, nonetheless.  For my money, Michael Rosenbaum's Luthor from Smallville is still the best onscreen version of this character.

Going back to another point related to certain characters not acting like themselves.  As crazy as it seems, I was ok with "Killer Batman" in this film.  With all the loss he's experienced, I can understand his jaded outlook on life.  And, as much as I liked Affleck as Batman, there is still one aspect of his character that no movie has gotten right.  Snyder is no different.  Where is the brilliant detective aspect of the character?  He's not called the World's Greatest Detective for nothing.  To be so blatantly manipulated by Luthor into fighting an alien literally capable of obliterating him with a glance wasn't the smartest way to go.  And, the fact that he was goaded by an arrested adolescent at that.  You sort of get the feeling that a fight could have been avoided completely if the combatants just took five minutes to talk before throwing fists.  But, then we wouldn't have gotten what we all came to see, I suppose. 

Stranger still was the placement of some dream/fantasy sequences in the film that really didn't add anything for me.  One was with Jonathan Kent (Kevin Costner) in which Clark was having another crisis and needed an intervention from dad.  There's nothing wrong with the segment per se.  It just felt a little shoved in.  Did Costner really need a paycheck that bad?  Oh, wait.  Now I see why this movie cost over $200 million to make.  I'm sure he didn't come cheap for the five minutes he was in the film.

Then there was the apocalyptic dream sequence Bruce had where the world seems to be controlled by a dictatorial Superman.  I'm not sure where director, Zack Snyder, was going with this.  Was this just a manifestation of Bruce's paranoid psyche or was this foreshadowing for something upcoming?  I wouldn't put it past Snyder because he's proven there's method to his madness by building on the chaos of Man of Steel into this film.  I reserve the right to revisit this and change my opinion at a later date.  But, for now, it's another segment that wasn't bad, just puzzling why it was there.

Now, before I start to sound like "Negative Nelly", let me say, I think there's a lot to like about DoJ.  As I mentioned before, Snyder and Warner Brothers had a plan starting with Man of Steel.  Events that movie got ripped apart for like the callous destruction of Metropolis and Superman breaking Zod's neck are depicted that way for a reason.  DoJ is the fallout, the consequence of those actions.
Snyder does a nice job building anticipation to the inevitable confrontation.  Visually, both protagonists have never looked better.  Batman projects an aura of danger.  It oozes off him even as Bruce Wayne.  Superman is the unbeatable powerhouse, majestic and indestructible (except when that pesky Kryptonite is around).  There's also a terrific scene that gives you great insight on how the sun powers the Last Son of Krypton after he gets hit with a nuclear warhead.  Excellent visuals showing how he goes from near death to vibrant and powerful once again.  Lastly, love or hate the movie, how did you not get a few goosebumps when you saw the DC Trinity standing side by side onscreen for the first time?

The brief introduction we were given to the rest of the Justice League (Flash, Cyborg, Aquaman) made me little giddy, I'll be honest.  I really think Aquaman is going to turn many heads with Jason Mamoa in the lead role.  He looks impressive at least.  At the very least, the character will hopefully stop being the butt of so many jokes when he's on the big screen.

Much has been made of how different in tone the DC Cinematic Universe movies are going to be compared the Marvel Cinematic Universe.  In reading some reviews of DoJ, a point has been driven home on how dour and dark it is.  I've heard the same thing mentioned on sports talk radio!  Well guess what?  The DCCU doesn't have to be the same as the MCU.  And, in a way, I'm glad it isn't.  The path of least resistance would be Warner Brothers shaping their structure in much the same way as Marvel Studios did.  And why not?  The blueprint is there.  It's an insanely successful one.  I've had discussions in the past with friends and we've all wondered what Snyder and company were doing not following the "Marvel Way."  DC and Warner are giving us a different flavor and there's nothing wrong with that.  Marvel has already cornered the market on their version of universe building.  Are their movies lighter in tone?  Yes, but, it works for them.  Although I will take issue with people who say their movies are so lighthearted, they're cartoonish.  We've known Thanos is coming to kill everyone since the Avengers and every movie since then has had that shadow cast over it.  But, I digress.  The DCCU doesn't need to be a carbon copy.  They're doing their own thing to differentiate themselves, and, to varying degrees, I think it's working for them.  At least the powers that be have a clear plan.  Let's give them the opportunity to execute it.  As movie fans, particularly comic book fans, it's all good that we have two viable options.  When in your lives did you EVER think geek culture would explode like this and become mainstream?  There should be no Marvel vs. DC.  Embrace it all is what I'll leave you with.

To make a long story short (too late, I know), Dawn of Justice is an important entry into movie lore.  My hope, even as primarily a Marvel guy, is for this to do well and for the DCCU to take off and be every bit as viable as the MCU.  Do I think they're there yet?  No.  I'm not standing up and cheering.  But, I am intrigued.  I want to see more.  I want to go on this journey.  At the very least, I think the DCCU has earned that much.

The Dark Lord of the Sith says:

***1/4 stars

Ratings Legend
Zero *= Don't waste your time. Pure dreck! Dreck is too good for this! Blind me please!
1 *= Fuggedaboutit!
2 *= Average, Mediocre, Nothing Special
3 *= Worth a look.  Better than a poke in the eye.
4 *= Great. I'm doing my happy dance!
5 *= Pure eye candy. I have seen the top of the mountain, and it is good










Sunday, February 14, 2016

Deadpool

Reviews from the Dark Side presents
 Deadpool
  Released 2/12/16

The year 2016 may well go down in the annals of time as the greatest year for the superhero movie genre ever.  Between the two big kahunas in the comic book world, Marvel and DC, there are no less than six films (that I know of at least) that will be released this year based on their characters.  The first release has arrived just for in time for Valentine's Day.  A release rich in sentimentality and poignant self reflection.  Nah, it's just Deadpool, Marvel's venerable "Merc with a Mouth."

Unlike many movies released based on Marvel characters, Deadpool is the baby of 20th Century Fox and not Disney/Marvel Studios.  But, it's no less important, particularly since it's one of the few attempts to take the genre into far less traveled R-rated territory.  Deadpool isn't breaking new ground here.  It's been done before with films like Blade, Punisher War Zone, and Watchmen to varying degrees of success at the box office (mostly not very good results).  And, given the disastrous box office beating Fox took with last August's release of The Fantastic Four, the studio needs a win badly. 

But, Deadpool?  Why?  He's not the most famous name with non-comic book fans.  If anything, since Fox has the movie rights to Marvel's X-Men universe, you would think Wolverine would be a prime candidate for an R-rated release.  He has a deadly ferocity about him that would transition well to more graphic territory.  But, Wolverine's been done in the movie world ad nauseam.  Five X-Men movies and two solo ones later, I think audiences were in the mood for some new blood.  And, speaking of blood, there are few comic book characters that do death and mayhem better than Wade Wilson.  And, he does it with an insane and inane flair. 

So, who is the man who will be Deadpool in the new movie?  Wade Wilson (Ryan Reynolds) is a gun-for-hire in New York who begins the film scaring the life out of a young stalker on behalf of the stalker's would-be teenage victim.  He meets Vanessa (Morena Baccarin), an escort, at his favorite local bar.  The two share much in common (including being a bit unhinged) and become an inseparable item.  That is, until he collapses on the night he proposes.  Wade is diagnosed with terminal cancer, and, although Vanessa remains by his side, he fears losing her.

It's that fear that pushes him into accepting the offer of an experimental cure through the top secret Weapon X program.  Reluctantly leaving Vanessa in the middle of the night, he enters the program, and he is experimented on by the program's resident enforcer, Francis, aka Ajax (Ed Skrein).  Along with his partner in crime, Angel Dust (Gina Carano), Francis injects Wade with an experimental serum and regularly tortures him trying to trigger a mutation.  When it finally occurs, he acquires a healing factor that not only cures his cancer, but also makes him virtually immortal.  It also comes at the expense of hideously scarring his entire body, as well as, making him more unhinged if that was possible.  Destroying the facility and attempting to kill Ajax for his endless torture, he falls short of the fatal deed when Ajax reveals he is the only one who can reverse Wade's disfiguration.  Using the distraction to gain the advantage (with a rebar through the torso), Ajax leaves Wade for dead.

But, of course, the movie can't end there.  Believing he can't reconnect with Vanessa in his condition, he adopts the familiar red and black uniform comic fans know and love to hide his disfigurement and takes the name Deadpool to hunt down Ajax and his organization in an effort to force him to reverse the disfigurement.  Along the way, he will receive needed, but, often unwanted assistance from the powerhouse X-Man, Colossus, and the atomic-powered teenage X-Man trainee, Negasonic Teenage Warhead (from here on referred to as NTW).

Fox has deserved to lose some stripes over the years for many of their superhero releases.  Aside from the aforementioned Fantastic Four (well, just the FF franchise in general), they flopped miserably with X-Men:  The Last Stand and X-Men Origins:  Wolverine.  I don't know if there's any saving the FF, but, they did pull the X-Men out of the darkness with Days of Future Past.  And, now, they've done the same for Deadpool.  Where have you seen him before?  Why, it was in the subpar X-Men Origins movie, and, ironically, the character was given life then by Ryan Reynolds as well.  Needless to say if you saw that movie and were a fan of Deadpool, that was a disgraceful rendition.  I think we can stop punishing Fox for that blunder now.  They've clearly indicated, "our bad, here's the real Deadpool" with this film.  And, there's even a "blink and you missed it" sight gag acknowledging the debacle perpetrated with the Merc's first onscreen appearance.

Gleefully and unapologetically irreverent, Deadpool captures all that makes him a favorite among his hardcore fans.  You never know what he's going to say (or do for that matter), he's crazy as a road lizard, and he slices and dices his enemies with a song in his heart and smile on his face.  And, the best part?  Director, Tim Miller, hasn't forgotten the character's propensity for breaking the fourth wall.  With his nonstop quips and senseless banter, he's pretty much Spider-Man on amphetamines. 

The film hits you between the eyes from the opening credits with its silliness.  What other movie do you know who introduces its cast with descriptions like "A British Villain" or it's female lead as "She's Really Hot?"  Deadpool is silly to a fault, but, intentionally so because nothing else would do for this character.

As you can likely tell, I liked Deadpool a lot.  No, that's not quite accurate.  I loved Deadpool.  But, it isn't without its faults.  The one glaring one is the depiction of the main antagonists.  I found Ajax and Angel Dust to be a little thin as villains.  They seemed to be props for Wade's madness in many cases and I thought it was a lost opportunity not fleshing them out a bit more.  I was particularly disappointed not being engaged more with Angel Dust.  I found her to be more interesting than Ajax.  Someone who can go fist for fist with Colossus and not only hold her own, but, best him is someone worth exploring a little more.  Or, maybe I'm just a fan of Gina Carano.  Haven't worked that out yet. 

Speaking of Colossus, the dichotomy of philosophies between the X-Man and Deadpool makes for some of the funnier moments in the film.  He seems to bring out some true crazy in Wade.  Crazy like sawing off his own hand to get away from the armored X-Man.  And NTW plays the perfect detached teenager who sends texts in the middle of battle instead of concentrating on the job at hand.  More epic dysfunction in a movie swimming in it.  Although I'm not sure why Colossus is trying so hard to redeem Deadpool.  Isn't one killer prone to extreme violence on the team enough?  Oh, and I would be remiss in not acknowledging that Colossus actually looks like Colossus for the first time on film. 

And, last, but, not least, I want to give some love to Morena Baccarin who plays the perfect foil to Wade's manic wackiness.  Reason being she's slightly off the rails herself (though nowhere close to Wade after his transformation).  In many of these superhero movies, you don't necessarily feel the protagonist and the love interest belong together for varying reasons.  Reynolds and Baccarin have a wacky chemistry that is one of the real highlights in Deadpool. 

By all indications, Deadpool is set to be a groundbreaking film.  Box office records have made the once forbidden R-rated superhero movie a viable option.  A character like Deadpool can find a mainstream audience.  The praise the film is receiving is very well deserved.  It's the best time I've had in the theater to date in 2016.  The superhero movie season is off to a scorching start.  If this first entry is any indication, genre fans are in for an amazing year.

The Dark Lord of the Sith says:

****1/2 stars


Ratings Legend
Zero *= Don't waste your time. Pure dreck! Dreck is too good for this! Blind me please!
1 *= Fuggedaboutit!
2 *= Average, Mediocre, Nothing Special
3 *= Worth a look.  Better than a poke in the eye.
4 *= Great. I'm doing my happy dance!
5 *= Pure eye candy. I have seen the top of the mountain, and it is good




Thursday, December 31, 2015

The H8ful Eight


Reviews from the Dark Side presents
 The H8ful Eight
  Released 12/25/15

Genius?  Madman?  Maybe a little bit of both.  There's no denying that producer/director, Quentin Tarantino, is one of a kind.  With his ninth directorial feature, The H8ful Eight (H8ful, get it?), Tarantino gives us another eclectic mix of pathos, mirth, and mayhem. 

One signature of a Tarantino film is the cast he uses.  Like many top directors, he tends to rely on the same group through thick and thin.  This time is no different as the likes of Samuel L. Jackson, Tim Roth, Michael Madsen, Kurt Russell, Zoe Bell (in a minor role), and Walton Goggins return for more whacky madness.  This time around they're joined by new names in the Tarantino carousel (Bruce Dern, Jennifer Jason Leigh, Channing Tatum, and Demian Bichir).  So, what type of story brought this "merry" bunch together?

Tarantino returns to 19th century America, the same century visited in his previous film, Django Unchained.  However, this time the audience is taken to the wilds and wintery wonderland of post-Civil War Wyoming instead of the Antebellum South.  Speeding desperately to a safe haven on the way to the town of Red Rock riding a six-horse stagecoach, we find infamous bounty hunter, John "The Hangman" Ruth (Russell) "escorting" his latest score, Daisy Domergue (Leigh), with the intention of collecting the $10,000 pricetag on her head.  Ruth is a no-nonsense kind of guy who doesn't hesitate tuning Daisy up at every opportunity when she gets out of line, which is often.  Now, before you feel too bad for Daisy falling victim to a man who gets his jollies beating women, know that she is a foul-mouthed, racist, murderous little psychopath.

Trying to stay ahead of a coming blizzard, the duo and stage driver run into Marquis Warren (Jackson), a former Union officer in one of the North's black regiments during the war.  Warren is also a bounty hunter who has been stranded in the middle of the blizzard with his quarry of "prisoners" all of whom he has killed.  Ruth and Warren are past acquaintances and, against Ruth's better judgement, he offers Warren and his cargo transport.  Still farther along the trail, the group encounters another poor soul stranded in the middle of nowhere.  This would be Chris Mannix (Goggins), who claims to be the soon-to-be sworn in new sheriff of Red Rock.  Mannix is a former Confederate renegade who ran with his father's marauders during the war earning quite the reputation as a degenerate killer in some eyes.  He convinces the two hunters that if they leave him to die on the road, they'll have a difficult time collecting their bounties with him being the new sheriff who would be in charge of paying them.  Naturally there's a conflict between Mannix and Warren for several reasons. 

The group, now five strong (eight if you count Warren's dead bodies), comes to the only building that can offer them shelter from the storm before moving on to Red Rock, Minnie's Haberdashery.  Warren knows Minnie personally and is surprised when the coach is greeted by Bob (Bichir), a mysterious man of Mexican origin (this little fact will have meaning later) who claims to have been placed in charge of watching the lodge while Minnie is away visiting her mother.  Inside the lodge, a motley group awaits the new arrivals.  There's Oswaldo Mobray (Roth), an overly friendly Englishman who says he is the actual hangman of Red Rock.  We have Joe Gage (Madsen), a quiet, brooding cowboy who says he's on his way to see his mother.   Finally, there's Sanford Smithers (Dern), a former Confederate general who's there for unknown reasons.  Over the course of a few hours, loyalties will be tested, alliances will form, and secrets will unfold.  You get that many volatile personalities under one roof and what do you have?  Why a Tarantino-style powder keg, of course.

The H8ful Eight is a bit of a departure for Tarantino in that he tries his hand at mystery for the first time that I am aware.  Not every character is what he/she seems.  Some are exactly as they seem.  As you'll discover, these people have very few redeeming qualities, but, some goodness does emerge, and it comes from places you would never expect.  Of course, some characters are just outright scumbags and are exactly who you think they are. 

And what would a Tarantino movie be without buckets of blood, gleefully over-the-top violence, and a generous use of the N-word (by pretty much everyone outside of Jackson)?  You have to admire someone who goes to places on film that most wouldn't dare.  And, he gets away with it.  Somehow the idiocy and nastiness in The H8teful Eight fits together in an intricate little puzzle works in the end.  I don't know how he does it, but, he does in just about every movie he's associated with.  When he should be offending you, he's entertaining you and making you laugh out loud at things you know you shouldn't be amused by. He has a talent.  That's undeniable. 

As racist as the characters in the film are, Tarantino also surprisingly gives you a modicum of hope.  Horrible people aren't necessarily unredeemable.  Racism is a learned behavior.  It can be overcome.  The messages in the movie go deep albeit in a twisted way.

While The H8ful Eight is still no Pulp Fiction in my mind, I do call it one of the director's better efforts.  You want to cringe?  You want to be grossed out?  You want to laugh your head off?  This film can be all of that for you.  And, at almost three hours, you get plenty to chew on.

The Dark Lord of the Sith says:

****1/4 stars

Ratings Legend
Zero *= Don't waste your time. Pure dreck! Dreck is too good for this! Blind me please!
1 *= Fuggedaboutit!

2 *= Average, Mediocre, Nothing Special
3 *= Worth a look.  Better than a poke in the eye.
4 *= Great. I'm doing my happy dance!
5 *= Pure eye candy. I have seen the top of the mountain, and it is good








Friday, December 25, 2015

Star Wars: The Force Awakens

Reviews from the Dark Side presents
 Star Wars:  The Force Awakens
  Released 12/18/15

It's here.  The cinematic leviathan.  The big kahuna.  The hammer of Thor.  OK, it's obvious I'm running out of descriptions.  But, you all understand me.  The long awaited continuation of arguably the biggest movie saga of all time has arrived.  Of course, I can only be talking about Star Wars:  The Force Awakens.  Yes, the film whose trailer alone supposedly "broke" the internet.  But, as crazy as the anticipation for this film was, it didn't come without some trepidation in some circles.

We might as well address the elephant in the room first.  That would be the prequel trilogy, Episodes I-III.  To say there were mixed feelings about George Lucas's effects-laden tale depicting the origin of Darth Vader would be the grossest of understatements.  We all know the issues the masses had with those movies, so I'm not going to rehash them here.  George Lucas.  The man who could not make a misstep from 1977-83, was making nothing but missteps in many eyes from 1999-05.  Rabid fans of his first trilogy were disappointed by and vocal about the prequels.  Could he win those fans back with a new movie or new set of movies?  We'll never know, because he sold his baby to the House of Mouse to the tune of...well, a lot.  So, problem solved, right?  When Disney announced they would take on the monumental task of continuing the Star Wars saga, fans had to feel a little better, right?  Disney didn't spend billions to make junk.  So, of course, they would find an all-world director to helm this little endeavor.  It's only reasonable.

That brings me to the second issue, J.J. Abrams.  I personally don't have a problem with Abrams, but, many do.  Just ask the "Trekkies."  There's a contingent of those fans that believe he ruined their beloved franchise.  Speaking solely for myself, I like his take on Star Trek quite a bit.  But, I've never been accused of being a die hard fan of the franchise, so I can't deny the Trekkies their anger.  Putting myself in their shoes, I know I would be extremely upset if I thought Abrams disrespected the material I grew up loving.  We kind of saw that type of thing with Josh Trank's Fantastic Four this summer. 

As of my writing of this review, I've seen The Force Awakens twice now.  I deliberately held back my review of this film for a reason.  Like any Star Wars mega-fan, I was jumping out of my skin waiting for this movie.  I was even antsy in the theater.  Then, when John Williams' famous score hit my ears, I was five years old again seeing A New Hope for the very first time.  This was a problem.  You see, I had this very same reaction in 1999 when I saw The Phantom Menace the first time.  No one could tell me it wasn't good.  Lucas could have done a naked hula dance on screen and I would have eaten it up because it was called "Star Wars."  That's how deep my love of the franchise ran.  But, as time went by, I saw it several more times and I took a better look at it with a more discerning eye.   I realized something about Phantom Menace.  Most of that really sucked!  What was I thinking?  I know what I was thinking now.  It had been 16 years since the last Star Wars movie.  I was giddy that Star Wars was back.  Like I said, at first sight, I would have been over the moon about anything I saw onscreen.  That's why I took a step back this time.  I thought about it.  I let it "marinate" so to speak. 

So, the verdict?  After rerunning things in my head more than a few times, I can say with relative confidence that Star Wars is in capable hands.  Disney chose the right director for its first stab at the iconic series.  Abrams had what has to be the most exhilarating, and, at the same time the most frightening director's job in Hollywood.  He seems to have a love for the material which is a huge plus.   It's an homage to A New Hope in many ways, but, it also acts as an excellent launching pad for the new trilogy.

The Force Awakens has the feel and spirit of original trilogy much more than the prequels.  It's filled with high adventure mixed with a healthy dose of mythology and a tad of silliness.  And I don't mean silliness of the JJB kind if you know what I mean.  Gone are the CGI-laden sets and the feeling of "sterileness".  To be fair to the prequels, that's likely what Lucas was going for, a more polished and less war torn look given the era in this universe's history.  Of course, there's still plenty of CGI in the new movie, but it's a less polished piece of work than what we last saw from this series.  The Force Awakens has a rougher, more organic feel to it.  The lightsaber duels especially  have a crudeness and brutality to them that haven't been seen before.  The Force Awakens  just felt a little more like the Star Wars I grew up with.

Abrams has also raised the stakes in The Force Awakens as far as storyline.  Hopefully, without giving too much away if you haven't seen it, I'll say tragedy is a part of war.  While Episodes IV-VI had  loads of conflicts, in the grand scheme of things, there wasn't a great amount of tragedy that befell our heroes.  There's a scene in TFA that's going to get very real for SW fanatics.  It's sad, but, it's also a sad necessity given where I think the story is headed.

Speaking of where the story is headed, the "new guard" is introduced in TFA.  We still have our old standbys of Han Solo (Harrison Ford), Luke Skywalker (Mark Hamill), and Princess Leia (Carrie Fisher), as well as, Chewbacca (Peter Mayhew), C-3PO (Anthony Daniels), and R2-D2 (Kenny Baker).  But they're taking a bit of a back seat in this one (in one character's case, waaaay in the back).  But, the torch is being passed to the likes of Finn (John Boyega), a defected Stormtrooper, Poe Dameron (Oscar Isaac), a hotshot fighter pilot, Rey (Daisy Ridley), a mysterious scavenger, and new resident baddie, Kylo Ren (Adam Driver), the guy you've seen in all the previews and trailers with the gnarly crossguard lightsaber. All are introduced to varying degrees of success.  That's not to say any of the new characters are bad.  Some just pack a greater punch (Rey, Kylo Ren) than others at this point. 

As far as storyline is concerned, these are the things you need to know.  It takes place 30 years after Return of the Jedi.  Luke Skywalker has vanished under mysterious circumstances.  Both the First Order (descended from the remnants of the old Empire) and the Resistance (the former Rebellion backed by the fledgling New Republic) are looking for him for very different reasons.  Thanks to Poe Dameron, the missing piece of the last Jedi's location is stored within a small BB-8 series droid.  The main conflict of the film is getting the little droid into the hands of the Resistance before he can be seized by the First Order.  Saying  too much more would give away more of the plot than I'm comfortable with.  This is a movie you should experience and not read about.

If you have read other sources, it may have been mentioned that there are several plot holes in TFA.  That's true.  There are.  But, I believe they're  there purposely.  Some items, Rey's origins being chief among them, are deliberately vague.  And, to anyone who has an issue with that I say this is only the first part of a trilogy.  I have every confidence that Disney and company will make all things clear and flesh everything out in 2017 and 2019.  And, speaking of Rey.  The path that Abrams is leading you down where this character is concerned is very obvious.  Or, is he pulling a big swerve on all of us?  There are several hints dropped throughout.  That and the causes of Luke's disappearance from the known galaxy should keep us all tingling with anticipation for the next two years.  In the interim, there is sure to be new theories daily by fandom on each of the lingering storylines.  Be prepared.

The Force Awakens is not perfect.  There are some rehashed occurrences that remind you of movies past.  Seriously, we have another Death Star-type superweapon.  You would think the First Order would learn from the mistakes of the Empire when it comes to defending it. Admittedly, that entire plot is a little tired.  The third time isn't necessarily the charm here. But, overall, TFA is a declaration the franchise has righted itself and is now back on the rails.  Think of it as the appetizer to the steak dinner that follows.  It's still savory in its own right, but, you know something better is coming.  Rejoice Star Wars fans.  The dragon is alive and well.  It's going to breathe some unbelievable fire!

The Dark Lord of the Sith says:

****1/2 stars

Ratings Legend
Zero *= Don't waste your time. Pure dreck! Dreck is too good for this! Blind me please!
1 *= Fuggedaboutit!

2 *= Average, Mediocre, Nothing Special
3 *= Worth a look.  Better than a poke in the eye.
4 *= Great. I'm doing my happy dance!
5 *= Pure eye candy. I have seen the top of the mountain, and it is good







Sunday, December 6, 2015

Krampus

Reviews from the Dark Side presents
Krampus
 Released 12/4/15

I'm not big on tradition.  I tend to gravitate toward things that skewer it.  That's probably why I've continued to be a fan of South Park all these years.  It's likely why I get far more excited by Halloween than I do the more family oriented holidays of Thanksgiving and Christmas.  "Happy Happy" has just never had a lot of appeal to me.  There's nothing wrong with happy mind you, I just tend to like my entertainment with a sharper edge.  Guess that's the subversive nature in me. 

So, all of that said, is there any surprise that I love the concept of a Christmas horror movie?  When I first began seeing trailers for the Christmas gorefest, Krampus, my thoughts were "Oh, yeah, this is right up my alley!"  But, of course, like everything else, you have to take the good with the bad.  For every Gremlins, there's a Jack Frost.  And many a horror movie has looked great in a five minute trailer only to completely disappoint. I'm looking at you, Paranormal Activity.

So, what exactly is the Krampus?  In folklore, he's the polar opposite of Santa, a demonic entity who punishes children who have misbehaved during the Christmas season.  In this film, it's a child who has lost his faith in the holiday that summons this master of mayhem.

Max is a preteen who wants to still believe in the magic of  Christmas.  He still even writes letters to Santa.  But, it becomes increasingly hard to keep the Christmas spirit when you have the type of family Max has.  His immediate family isn't horrible, but, his parents (Adam Scott and Toni Collette) have begun drifting apart due to their busy schedules.  His sister is the typical cynical teenager. His grandmother is the only one who seems to get him these days.  She's the classic older-person-who-knows-more than-she-lets-on archetype.

While his immediate family isn't wretched (just very stressed), their holiday is about to change for the worst when the his aunt's (Allison Tolman) brood arrives December 22 planning to spend the holiday with them.  His aunt is well-meaning, if a bit frazzled.  Unfortunately, she's brought the rest of the family including her obnoxious "man's man" of a husband (David Koechner), his female cousins who would put fear into NFL linebackers, his male cousin who pretty much stares at everything and everyone as if he's catatonic, his newborn cousin, his aunt's and mom's caustic Aunt Dorothy (Conchata Ferrell), and their family bulldog. 

Everything comes to a head at dinner time when Max's cousins find his letter to Santa and read it aloud mocking him.  For Max, it's the final straw.  Destroying the letter and casting it to the wind outside, he unwittingly sets into motion events no one in the house will forget.  The Krampus has heard his anguish.  And, he's coming.

What struck me about Krampus is that it's a lot of fun.  The characters in the beginning are gloriously over the top.  You got a true sense of why Max's family is dreading the holiday.  It really is a comedy to start.  Max's mother making an elaborate, but, ultimately unappreciated meal for people who would prefer macaroni and hot dogs is priceless. David Koechner pulls everything from his "macho" bag as a father who so wishes his two girls were boys deep down. 

When the Krampus arrives, the movie does take a decided turn to the dark side.  But it still maintains a sense of humor and whimsy as the demon's will is carried out by a wide array of familiar Christmas minions including dark elves, murderous gingerbread men, possessed toys, and burrowing snow monsters.  Even Krampus himself appears as a grossly deformed Santa (almost as if he came directly out of The Ring with the distorted facial features). 

The film was written and directed by Michael Dougherty.  Horror fans may remember one of his previous outings, the cult favorite, Trick 'r Treat, from 2007.  This man does have a vivid imagination and an eye for whimsical massacre.  Through the chaos, he does try to deliver a message of tolerance and not letting others beat down your spirit.  The question is has Max, and the rest of his family for that matter, learned it too late?  You decide because just when you think Krampus has descended into sappiness, you're given a rather ambiguous WTH?  ending. 

Krampus is a wild ride through a Hellish funland of sorts with some nice, creepy special effects sequences.  I did call it a gorefest originally, but, that's not quite right.  Oh, it's macabre to be sure, but with its PG-13 rating, there aren't gushing gallons of blood spilled to alienate those who might be turned off by that sort of thing.  There's enough comedy to offset the film's dark nature for the non-horror set.  Give it shot.  You won't be sorry. 

The Dark Lord of the Sith says:

***1/2 stars

Ratings Legend
Zero *= Don't waste your time. Pure dreck! Dreck is too good for this! Blind me please!
1 *= Fuggedaboutit!

2 *= Average, Mediocre, Nothing Special
3 *= Worth a look.  Better than a poke in the eye.
4 *= Great. I'm doing my happy dance!
5 *= Pure eye candy. I have seen the top of the mountain, and it is good